Artist as Reporter

Weegee, Ad Reinhardt, and the PM News Picture
1. Auflage 2018
ISBN: 978-0-520-29143-0
Verlag: University of California Press

Buch, Englisch, 400 Seiten, Cloth Over Boards, Format (B × H): 186 mm x 264 mm, Gewicht: 1182 g

Active from 1940 to 1948, PM was a progressive New York City daily tabloid newspaper committed to the politics of labor, social justice, and antifascism—and it prioritized the intelligent and critical deployment of pictures and their perception as paramount in these campaigns. With PM as its main focus, Artist as Reporter offers a substantial intervention in the literature on American journalism, photography, and modern art. The book considers the journalistic contributions to PM of such signal American modernists as the curator Holger Cahill, the abstract painter Ad Reinhardt, the photographers Weegee and Lisette Model, and the filmmaker, photographer, and editor Ralph Steiner. Each of its five chapters explores one dimension of the tabloid’s complex journalistic activation of modernism’s potential, showing how PM inserted into daily print journalism the most innovative critical thinking in the fields of painting, illustration, cartooning, and the lens-based arts. Artist as Reporter promises to revise our own understanding of midcentury American modernism and the nature of its relationship to the wider media and public culture.

Autoren/Hrsg.

Hill, Jason E.

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
• Geisteswissenschaften Kunst Fotografie Fotojournalismus
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften Journalismus & Presse

Inhaltsverzeichnis

A Note about Captions of PM Pages
Preface

Introduction
1. The Artist as Reporter at the Museum of Modern Art
2. Drawing on Newsprint
3. Ralph Steiner’s Editorial Model
4. Weegee’s Corpus
5. How to Look at News Pictures in America
Conclusion

Acknowledgments
Notes
Sources
Art Credits
Index

Über Autor(innen)

Jason E. Hill is Assistant Professor of Art History at the University of Delaware. He is the coeditor of Getting the Picture: The Visual Culture of the News.