The Steadicam(r) Operator's Handbook

2. Auflage 2012
ISBN: 978-0-240-82380-5
Verlag: Taylor & Francis

Buch, Englisch, 436 Seiten, Format (B × H): 215 mm x 273 mm, Gewicht: 1332 g

The next best thing to an intensive training workshop on how to use the Steadicam® and become a successful owner-operator, this book brings together interviews and instruction by the world's premier Steadicam professionals to get you up and running with your rig and to improve. The revised edition offers video interviews and footage showing the Steadicam in action on the book's companion website bringing this instruction one step closer to in-person training. Learn all aspects of Steadicam operating in one comprehensive package with hours of video on the website and over 1300 full-color photos and illustration.

Both informational and inspirational, THE STEADICAM® OPERATOR'S HANDBOOK moves from the physics and balancing of a Steadicam, through a series of step-by-step line dances and practice shots, to the most personal aspects of filmmaking-how individual operators make creative and practical decisions using this unique camera setup. The book discusses the wide array of equipment and accessories currently available, and it also illustrates the latest operating techniques and tricks, a variety of strategies for working with others, and the business side of a Steadicam career, from buying your best rig to negotiating deals with producers and unit production managers.

Also included are observations and anecdotes-inspirational, funny, instructive, and cautionary-written by a number of other experienced Steadicam operators around the world, including the legendary inventor of the Steadicam himself, Garrett Brown. THE STEADICAM® OPERATOR'S HANDBOOK is both a master class and a master reference for all camera operators and directors who want to move the camera well.

* NEW companion website provides exclusive video instruction and interviews * Revised edition includes updated movie examples, and ample coverage of new technologies (such as using Steadicam for 3D filming) and accessories * Written and contributed by the premier Steadicam experts in the world * Offers the opportunity for novice camera operators to learn the skill sets needed to build and move forward in their careers * Lavishly illustrated in full color to show the various techniques, equipment, and line dances used by Steadicam operators * The techniques presented in this book apply to any type of stabilization rig

Zielgruppe

Steadicam operators (aspiring and current), camera operators, camera assistants, cinematographers, students of film and video production

Autoren/Hrsg.

Holway, Jerry

Hayball, Laurie

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmproduktion, Filmtechnik

Inhaltsverzeichnis

INTRODUCTION
Cut. Print. Great.
The history of the Steadicam is pretty well known
How to begin

SECTION ONE: the Steadicam® and its parts
Wearing the Steadicam®
Basic Physics
Getting to know the rig: Basic Steadicam terms
Build the Steadicam
Four balancing acts
Static balance
Dynamic balance

SECTION TWO: getting started
Putting on the Steadicam
Moving with the rig
The right touch
Starting and stopping
The camera's path
Making the switch
Variations on the line dance
Memorizing the shot

SECTION THREE: beyond the basics
Low mode
Navigation
Keeping the camera level
Steadicam posture
General health and operating
Women and Steadicam
Are you ready?
My big break by Dan Kneece

SECTION FOUR: Steadicam® and filmmaking
Basic shot design
Take after take by Janice Arthur
your role as storyteller
Point of view
Moving composition
Strong camera moves

SECTION FIVE: movement techniques
Would you care to dance?
Moving through space
Floating the camera
No second takes by Peter Abraham
Putting the rig on the other side
Negotiating tight spaces
Running with a rig

SECTION SIX: framing techniques
More on operating
Framing corrections
Precise framing techniques
Lock offs
Whip pans
Longer lenses
Zoom lenses
Pass-bys
Telling the story

SECTION SEVEN: getting to work
Accessories
Focus pulling
Preparing for a shoot
Communication
Using grips wisely

SECTION EIGHT: extending the range of movement
Inventing the wheel
Configuring the rig
Flying with a motorized stage
Inertial augmentation and balance
Gyros Vertical control
Arm posts

SECTION NINE: extending the range of options Steadicam® and vehicles
To ride or not to ride?
Hard mount or soft mount
Safety, speed, communication
Types of vehicles
Endurance by Brant Fagan
Vehicles to avoid
Turkish helicopter by Jacob Bonfils
Interesting vehicles we like

SECTION TEN: the business side of Steadicam
Buying a Steadicam
Negotiating your deal
Advertising Insurance

SECTION ELEVEN: unique environments and requirements
Weather alerts
Survivor No. 1 by Scott Lakey
Documentaries and industrials
Capturing reality by Chris Fawcett
Video and Steadicam Steadicam and live TV by Lars Riis
Heavy cameras
Unintended consequences
Lightweight rigs
Steadicam light by Garrett Brown
Lightweight Steadicam
Garrett's big night out

SECTION TWELVE: the experienced operator
The right attitude
Additional concerns
How do we get this shot? by Charles Papert
Breaking the rules
The emotional stuff
Long shots
A great walk and talk
The long Steadicam shot by Larry McConkey
Camera Darwinism.and Action!

CONCLUSION
How was it?
Acknowledgments
DVD References
Websites

Über Autor(innen)

Hayball, Laurie
Hayball has over 10 years experience as a Steadicam® operator and instructor. An experienced cinematographer, she has authored a number of bestselling titles in photography.

Holway, Jerry
Holway is the co-inventor of the Steadicam® and is known as one of the premier Steadicam® instructors in the world. His workshops are routinely sold out, leaving a lengthy line of eager participants. He has spent over 25 years as a Steadicam® operator and served as the first president of the Steadicam® Operator's Association and remains an active member today.

Holway is the co-inventor of the Steadicam® and is known as one of the premier Steadicam® instructors in the world. His workshops are routinely sold out, leaving a lengthy line of eager participants. He has spent over 25 years as a Steadicam® operator and served as the first president of the Steadicam® Operator's Association and remains an active member today.
Hayball has over 10 years experience as a Steadicam® operator and instructor. An experienced cinematographer, she has authored a number of bestselling titles in photography.