Imagined Sovereignties in African Cultural Industries

National Belonging on the Move
Erscheinungsjahr 2026
ISBN: 978-0-19-898103-9
Verlag: Oxford University Press

Buch, Englisch, 304 Seiten, Print PDF, Format (B × H): 160 mm x 240 mm, Gewicht: 667 g

Imagined Sovereignties in African Cultural Industries explores the evolving dynamics of imagined communities through the lens of cultural production in music and audiovisual media in Nigeria, Senegal, Côte d'Ivoire, Morocco and the DRC.

Positioned at the intersection of politics, international relations, and anthropology, this edited volume adopts an interdisciplinary, ethnographic, and comparative approach to examine how cultural industries contribute to reconfiguring notions of belonging and sovereignty. Drawing and building upon Anderson's concept of imagined communities, the book argues that technological innovation has destabilized traditional national boundaries, enabling the sentiment of belonging to expand transnationally or contract into localized, niche formations. These emergent configurations-resembling networks, silos, or bubbles-challenge the geographically bounded model of the nation-state, in terms both of how the nation is imagined and how state sovereignty is envisaged over the media sector.

The volume foregrounds the perspectives of cultural producers, whose practices are shaped by the interplay of artistic, political, and economic imperatives. It demonstrates that the communities these artists help to imagine are not solely the product of cultural expression, but also of market dynamics influenced by neoliberal globalization and resurgent nationalist discourses. By analysing the tensions between localist, national, and pan-African orientations in cultural content, the book reveals how cultural industries mediate between competing forces of fragmentation and integration. Expanding on existing scholarship, Imagined Sovereignties contends that imagined communities are co-constituted by cultural, political, economic, and material processes. This nuanced understanding underscores the necessity of redefining sovereignty and belonging in Africa's rapidly transforming media landscapes.

Oxford Studies in African Politics and International Relations is a series for scholars and students working on African politics and International Relations and related disciplines. Volumes concentrate on contemporary developments in African political science, political economy, and International Relations, such as electoral politics, democratization, decentralization, gender and political representation, the political impact of natural resources, the dynamics and consequences of conflict, comparative political thought, and the nature of the continent’s engagement with the East and West. Comparative and mixed methods work is particularly encouraged. Case studies are welcomed but should demonstrate the broader theoretical and empirical implications of the study and its wider relevance to contemporary debates. The focus of the series is on sub-Saharan Africa, although proposals that explain how the region engages with North Africa and other parts of the world are of interest.

Series Editors: Nic Cheeseman (University of Birmingham), Peace Medie (University of Bristol), and Ricardo Soares de Oliveira (Sciences Po, Paris).

Autoren/Hrsg.

Weitere Mitwirkende

Jedlowski, Alessandro

Bono, Irene

Inhaltsverzeichnis

- Introduction: Nation on demand: Imagined sovereignties in African music and audio-visual media industries

- Part I. Imagining communities within and beyond the nation: politics, economics, and aesthetics

- 1: Richard Banégas and Léo Montaz: The zouglou music industry and the conflictual manufacturing of a national imaginary in Côte d'Ivoire

- 2: Nadia Hachimi-Alaoui: Producing a 'national' Moroccan cinema: The asymmetrical development of film production in Morocco

- 3: Jaana Serres: Producing 'New Afrika' amidst the new scramble for Africa: Transnational circulation and meaning-making in the Nigerian music industry

- 4: Marta Montanini and Léon Tsambu: Producing the urban: How Kinshasa groove factories reinvent the megacity and its imagined community

- 5: Thomas Fouquet: Narrative sovereignty and (filmmakers') creative processes in Senegal: Engaging with the politics of audio-visual fiction

- Part II. Owning the narrative: Technologies, skills, and genres

- 6: Añulika Agina and Alessandro Jedlowski: 'See the difference'? Chinese television, media sovereignty, and the imagination of the nation in Nigeria

- 7: Yahaglin David Camara: The invention of Babiwood: The economic reconfiguration of Côte d'Ivoire's audio-visual industry

- 8: Abdoulaye Niang: Music making and digitalization in Saint-Louis, Senegal: Home studios in control

- 9: Matthias De Groof: From imagined Indigenous/autochthonous communities to reimagined worlds: Video advocacy in the DRC

- 10: Sara Manna: Music festivals in Morocco: Politicization and professionalization of a new cultural industry

- Conclusion: Performing national imagination in African societies

Über Autor(innen)

Alessandro Jedlowski is an associate professor in Politics and African studies at the Bordeaux Institute of Political Studies (Sciences Po Bordeaux). His research focuses mostly on African screen media industries (in particular, the Nigerian Nollywood), South-South cultural circulations (in particular in the field of China-Africa interactions) and media and migration. He works on these topics by adopting an interdisciplinary approach grounded on ethnographic fieldwork and cultural analysis.

Irene Bono is an associate professor in Politics at the Department of Culture, Politics, Society, University of Turin (Italy). Her main research interests are nationalism and State-making in post-colonial countries (particularly Morocco and Maghreb countries), unconventional forms of political participation, the changing paradigms of development policies and the government of inequalities. She approaches these subjects by problematizing the notion of "sources", combining fieldwork methodology and archival research