Ingham | Language of Gender and Class | Buch | 978-0-415-08221-1 | www.sack.de

Buch, Englisch, 208 Seiten, Format (B × H): 139 mm x 221 mm, Gewicht: 367 g

Ingham

Language of Gender and Class

Transformation in the Victorian Novel
1. Auflage 1996
ISBN: 978-0-415-08221-1
Verlag: Taylor & Francis Ltd (Sales)

Transformation in the Victorian Novel

Buch, Englisch, 208 Seiten, Format (B × H): 139 mm x 221 mm, Gewicht: 367 g

ISBN: 978-0-415-08221-1
Verlag: Taylor & Francis Ltd (Sales)


The Language of Gender and Class challenges widely-held assumptions about the study of the Victorian novel. Lucid, multilayered and cogently argued, this volume will provoke debate and encourage students and scholars to rethink their views on ninteenth-century literature.
Examining six novels, Patricia Ingham demonstrates that none of the writers, male or female, easily accept stereotypes of gender and class. The classic figures of Angel and Whore are reassessed and modified. And the result, argues Ingham, is that the treatment of gender by the late nineteenth century is released from its task of containing neutralising class conflict. New accounts of feminity can begin to emerge. The novels which Ingham studies are:

* Shirley by Charlotter Bronte
* North and South by Elizabeth Gaskell
* Felix Holt by George Eliot
* Hard Times by Charles Dickens
* The Unclassed by George Gissing
* Jude the Obscure by Thomas Hardy

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Zielgruppe


Postgraduate


Autoren/Hrsg.


Weitere Infos & Material


Chapter 1 The Representation of Society in the Early Nineteenth Century; Chapter 2 The Interlocked Coding of Class and Gender; Chapter 3 Shirley; Chapter 4 North and South; Chapter 5 Hard Times; Chapter 6 Changes in the Representation of Class in the Second Half of the Nineteenth Century; Chapter 7 Felix Holt; Chapter 8 The Unclassed; Chapter 9 Jude the Obscure;


Patricia Ingham is Fellow in English at St Anne's College, Oxford, and Times Lecturer in English Language. She has developed what is recognised as an original linguistic model of criticism already used illuminatingly in her previous works, which include Thomas Hardy: A Feminist Reading (1989) and Dickens, Women and Language (1992).



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