Myth, Mind and the Screen

Understanding the Heroes of Our Time
Erscheinungsjahr 2011
ISBN: 978-0-521-79253-0
Verlag: Cambridge University Press

Buch, Englisch, 250 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 562 g

Myth, Mind and the Screen is a systematic attempt to apply Jungian theory to the analysis of films (including 2001: A Space Odyssey, The Silence of the Lambs and The Piano) as well as a variety of cultural icons and products such as Madonna, Michael Jackson and televised sport. Through these and other examples, John Izod shows how Jungian theory can bring new tools to film and media studies and new ways of understanding screen images and narratives. He also demonstrates how Jungian analysis can provide us with fresh insights into the psychological dimensions of contemporary mythology and the subjective experience of audiences. Perhaps most controversially, he argues that in the Western world cinema and television bear much of the responsibility for collective emotional mediation that in previous centuries was borne by organised religion. A valuable resource for students of film and media studies, cultural studies and psychoanalytic studies.

Autoren/Hrsg.

Izod, John

Fachgebiete

• Sozialwissenschaften Psychologie Psychologie / Allgemeines & Theorie Psychologische Theorie, Psychoanalyse Psychoanalyse (S. Freud)
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein

Inhaltsverzeichnis

Acknowledgements; Glossary; Introduction; 1. Jungian theory, textual analysis and audience play; 2. Archetypal images: signification and the psyche; 3. Archetypal images, symbols and the cultural unconscious; 4. The Piano: the animus and colonial experience; 5. The pop star as icon; 6. The quest of a female hero - The Silence of the Lambs; 7. Television sport and the sacrificial hero; 8. The polycentred self - The Passion of Darkly Noon; 9. Haunted: searching for the whole self; 10. Transforming the final ghost - the god within; Conclusion; Filmography.

Über Autor(innen)

Izod, John
John Izod is Professor of Screen Analysis in the Department of Film and Media Studies, University of Stirling. He is the author of Reading the Screen (1984), Satellite, Cable and Beyond (with Alastair Hetherington, 1984), Hollywood and the Box Office (1988), The Films of Nicolas Roeg: Myth and Mind (1992), and An Introduction to Television Documentary: Confronting Reality (with Richard Kilborn, 1997).