James Joyce and the Arts

Erscheinungsjahr 2020
ISBN: 978-90-04-42618-4
Verlag: Brill

Buch, Englisch, Band 29, 230 Seiten, Format (B × H): 150 mm x 234 mm, Gewicht: 376 g

Reihe: European Joyce Studies

Joyce’s art is an art of idiosyncratic transformation, revision and recycling. More specifically, the work of his art lies in the act of creative transformation: the art of the paste that echoes Ezra Pound’s urge to make it new. The essays in this volume examine various modalities of the Joycean aesthetic metamorphosis: be it through the prism of Joyce engaging with other arts and artists, or through the prism of other arts and artists engaging with the Joycean aftermath. We have chosen the essays that best show the range of Joycean engagement with multiple artistic domains in a variety of media. Joyce’s art is multiform and protean: influenced by many, it influences many others.

Autoren/Hrsg.

Weitere Mitwirkende

Silva, Emma-Louise

Slote, Sam

Van Hulle, Dirk

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Einzelne Autoren: Monographien & Biographien
• Geisteswissenschaften Literaturwissenschaft Englische Literatur Irische Literatur

Inhaltsverzeichnis

Abbreviations

List of Illustrations

Notes on Contributors

Introduction: Endlessly Inartistic Portraits

Sam Slote

Part 1: Joycean “Re-tailorings”

1Sartor ResartusReanimatus: The “Reversionary” Art of James Joyce, the Re-tailor

Tiana M. Fischer

Part 2: Visual Art

2 Portraits of the Artist

David Spurr

3 “His errors are volitional and are the portals of discovery”: Towards an Indirect Social Efficacy of Joyce’s Attitude to Mistakes – Through (Beuys’) Art Responding to Joyce

Christa-Maria Lerm Hayes

Part 3: Music

4 The Dysgenic Music of James Joyce: Joyce as Disablist Modernist Composer inFinnegans Wake

John Morey

5 Sound Art? Trying to Make “soundsense” of the “sensesound” in Finnegans Wake
Thomas Gurke

6 The Art of Reading a Musical Novel: Literary Audiation and the Case of James Joyce

Katherine O’Callaghan

7 Static Crooning Consciousness Expansion: Musical Undergrounds Respond to James Joyce

Derek Pyle

Part 4: TV and Film

8 On the Stream of Consciousness and “Camera-Eye” in the Works of James Joyce and Thomas Wolfe

Adam James Cuthbert

9 James Joyce and François Truffaut: Stylistic Correspondences Between Literature and Cinema

Sara Spanghero

10 Nostalgia and the Kiss of Ulysses in Twin Peaks

Damon Franke

Part 5: Hybridity of Visual and Textual Images

11 “Our eyes demand their turn”: The Materiality of the Joycean Image & Illustrations of Finnegans Wake

Yaeli Greenblatt

12 The Logic of the Doodles in Finnegans WakeII.2

Sangam MacDuff

13 Columban Texts and Joyce’s “book of kills” (FW 482.33): The Limits of a Palaeographer’s View in Finnegans Wake

Anne Marie D’Arcy

Part 6: Joyce “Receptionated” (FW 370.18)

14 “Patrick What-Do-You-Colm”: Reading Joyce with Padraic Colum

John McCourt

Index

Über Autor(innen)

Emma-Louise Silva, Ph.D. (2019), University of Antwerp, combines her role as a lecturer at that university with a postdoctoral position for the Time Machine Project. She has published in JJLS, JJQ, and she co-edited this volume for EJS.

Sam Slote, Ph.D. (1997), is an Associate Professor at Trinity College Dublin. He is the author of Joyce’s Nietzschean Ethics (2013). His volume Annotations to James Joyce’s ‘Ulysses’ will be published in 2020.

Dirk Van Hulle is Professor of Bibliography and Modern Book History at the University of Oxford, director of the Centre for Manuscript Genetics at the University of Antwerp and co-director of the Beckett Digital Manuscript Project (www.beckettarchive.org).