The Songs of Joni Mitchell

Gender, Performance and Agency
1. Auflage 2019
ISBN: 978-0-367-22931-3
Verlag: Taylor & Francis Ltd (Sales)

Buch, Englisch, 220 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 304 g

Reihe: Ashgate Popular and Folk Music Series

An unorthodox musician from the start, singer-songwriter Joni Mitchell's style of composing, performing, and of playing (and tuning) the guitar is unique. In the framework of sexual difference and the gendered discourses of rock this immediately begs the questions: are Mitchell's songs specifically feminine and, if so, to what extent and why?

Anne Karppinen addresses this question focusing on the kind of music and lyrics Mitchell writes, the representation of men and women in her lyrics, how her style changes and evolves over time, and how cultural context affects her writing. Linked to this are the concepts of subjectivity and authorship: when a singer-songwriter sings a song in the first person, about whom are they actually singing? Mitchell offers a fascinating study, for the songs she writes and sings are intricately woven from the strands of her own life.

Using methods from critical discourse analysis, this book examines recorded performances of songs from Mitchell's first nine studio albums, and the contemporary reviews of these albums in Anglo-American rock magazines. In one of the only books to discuss Mitchell's recorded performances, with a focus that extends beyond the seminal album Blue, Karppinen explores the craft of Mitchell's songwriting and her own attitudes towards it, as well as the dynamics and politics of rock criticism in the 1960s and 1970s more generally.

Autoren/Hrsg.

Karppinen, Anne

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Rock & Pop, Blues, Soul
• Geisteswissenschaften Musikwissenschaft Musikgattungen Volksmusik

Inhaltsverzeichnis

Introduction

Part 1

1. Sexual Difference, Texts and Discourses

2. Will you take me as I am? Subjectivity, Autobiography and Authorship

3. Women in Rock and Other Oxymorons

Part 2

4. The Early Period (1968-1970)

5. The Self-Conscious Period (1971-1974)

6. The Socially Conscious Period (1975-1977)

Part 3

7. A Soprano Has No Credibility? Joni Mitchell and the Rock Press

8. The Singer-Songwriter and the Making of the Canon

Conclusion

Appendix: Tunings.

Bibliography

Index

Über Autor(innen)

Anne Karppinen is a university teacher, translator and musician. She earned her MA in English and her PhD in Contemporary Culture from the University of Jyväskylä, Finland. She teaches English at The Open University of the University of Jyväskylä, Finland.