Kudankulam

The Story of an Indo-Russian Nuclear Power Plant
Erscheinungsjahr 2020
ISBN: 978-0-19-949871-0
Verlag: Oxford University Press

Buch, Englisch, 392 Seiten, Hardback, Format (B × H): 150 mm x 218 mm, Gewicht: 522 g

Since the 1980s, the Kudankulam Nuclear Power Plant in the south Indian state of Tamil Nadu has faced multiple forms of resistance. Women and men from different walks of life — fishers, farmers, environmentalists, activists, writers, scholars, teachers, journalists, doctors, and lawyers among many others — have come together to combat the deadly radioactive repercussions and repression that come with the development of a high-security nuclear installation. Drawing upon their experiences, this historical and ethnographic study accounts for the anti-nuclear campaign's part in 'right-to-lives' movements while engaging with the (re)production of knowledge and ignorance in the understanding of radiation, and efforts to create an evidence base in response to the otherwise unavailable or insufficient data on the environment and public health in India. Tracing the grassroots struggle for 'energy justice' off- and on-line, the author looks into the larger questions of development, democracy, and nationalism. These have marked not just parts of India identified for large-scale constructions, but also other regions of the world where state functionaries have much to gain from corporate collaborations at the cost of local residents who lose their livelihoods, and are forcibly displaced, persecuted, or even killed in order to execute governmental designs in the name of the nation.

Autoren/Hrsg.

Kaur, Raminder

Fachgebiete

• Geowissenschaften Umweltwissenschaften Nuklearer Strahlenschutz, Nuklearenergie

Inhaltsverzeichnis

- Table of Contents

- Map

- List of Figures

- Preface

- Chapter 1: Radiation Burdens

- · Democratic Development?

- · Altering the National-Nuclear Narrative

- · Criticality

- Chapter 2: A Nuclear Paradise

- · The Place and the People

- · Rare Minerals

- · The Kudankulam Nuclear Power Plant and Township

- · Neo-Brahmanism

- · An Anxious Accolade

- · Deep Vision

- Chapter 3: Cultures of Dissent

- · Movements in Perspective

- · The Initial Phase

- · The Neoliberal Era

- · The Tyranny of Technicality

- · A New Philosophy of Life

- Chapter 4: The World of In/visibles

- · Knowledge, Ignorance and Uncertainty

- · Enchantment

- · Safe?

- · Disenchantment

- · W/holes

- Chapter 5: Full Lives

- · Countering Risks

- · Josef

- · Savitri

- · Rajesh

- · Risky Times

- Chapter 6: The Plot Thickens

- · The Nuclear State of Exception

- · The Days Before

- · The Public Hearing

- · The Days After

- · Equivocal Victories

- Chapter 7: Discipline and Deviance

- · The Discursive Web of Statistics

- · Information Warfare

- · Planning the Survey

- · Ethnography of a Survey

- · Drops of Experience

- · 'Numbers are Required, Not Reasons'

- · Public Presentations

- · Speaking to Power

- Chapter 8: An Unlikely Powerhouse

- · A Siren Call

- · Open-Air Jail

- · Waging Non-Violence

- · A University without Walls

- · The Backbone

- · Cracking Concrete

- Chapter 9: Digitalia

- · The Un/holy Trinity

- · A Digital Letter by a 'Foreign Hand'

- · Planetary Forces

- Chapter 10: Do we Exist?

- · Silent, Quick and Slow

- · Crackdown to Meltdown

- · Onlife Ondeath

- · Toxygen

- · Murk

- Chapter 11: The Sparks that Hover

- · Looking Back

- · Looking Forwards

- · Embers

- Epilogue

- Index

Über Autor(innen)

Raminder Kaur is professor of Anthropology and Cultural Studies in the School of Global Studies at the University of Sussex. She is the author of Atomic Mumbai: Living with the Radiance of a Thousand Suns (2013) and Performative Politics and the Cultures of Hinduism (2003/5). She is also co-author of Diaspora and Hybridity (with Virinder Kalra and John Hutnyk, 2005), and Adventure Comics and Youth Cultures in India (with Saif Eqbal, 2018). She is co-editor of Arts and Aesthetics in a Globalizing World (2015), Mapping Changing Identities: New Directions in Uncertain Times (2013), Censorship in South Asia: Cultural Regulation from Sedition to Seduction (2009), Bollyworld: Popular Indian Cinema through a Transnational Lens (2005) and Travel Worlds: Journeys in Contemporary Cultural Politics (1999). Aside from her scholarly writing, she has also produced several scripts for theatre productions www.sohayavisions.com