Seen | Unseen

Erscheinungsjahr 2009
ISBN: 978-0-19-929572-2
Verlag: ACADEMIC

Buch, Englisch, 368 Seiten, Format (B × H): 175 mm x 250 mm, Gewicht: 817 g

Seen Unseen is a deep, richly illustrated, and erudite analysis of the interconnections between science and the visual arts. Martin Kemp explores the responses of artists, scientists, and their instruments, to the world - ranging from early representations of perspective, to pinhole cameras, particle accelerators and the Hubble telescope.

From Leonardo, Durer, and the inventors of photography to contemporary sculptors, and from Galileo and Darwin to Stephen J. Gould, Kemp considers the way in which scientists and artists have perceived the world and responded to its patterns, and sees common 'structural intuitions' reflected in their work.

Autoren/Hrsg.

Kemp

Kemp, Martin

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Interdisziplinäres Wissenschaften Wissenschaften: Allgemeines Geschichte der Human- und Sozialwissenschaften
• Interdisziplinäres Wissenschaften Wissenschaften: Allgemeines Geschichte der Naturwissenschaften, Formalen Wissenschaften & Technik
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Wissenschafts- und Universitätsgeschichte
• Geisteswissenschaften Design Produktdesign, Industriedesign
• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Kunst Kunstgeschichte
• Sozialwissenschaften Psychologie Psychologie / Allgemeines & Theorie Geschichte der Psychologie

Inhaltsverzeichnis

- Journey into Space

- Looking into the box

- The persistent box

- Lesser and Greater Worlds

- The art of analogy: Leonardo and Palissy

- The art of interaction: Robert Thornton and the Romantic era.

- Wholes and parts

- Discerning Designs

- Natural geometries

- Growth and form

- Out of our Hands

- The camera before photography

- 'The faithful record'

- Invisible worlds

- Looking Backwards and Forewords: a speculative conclusion.

- Further reading

Über Autor(innen)

Martin Kemp is Professor of the History of Art at the University of Oxford. He is perhaps best known as an expert in Renaissance art, and especially the work of Leonardo. Kemp himself studied both history of art and the natural sciences at Cambridge, and is as sure-footed in his treatment of the scientific context of imagery as he is in scholarly history of art. Among his books is the recent and highly successful Leonardo published by OUP.