Buch, Englisch, 202 Seiten, Format (B × H): 197 mm x 245 mm, Gewicht: 665 g
Buch, Englisch, 202 Seiten, Format (B × H): 197 mm x 245 mm, Gewicht: 665 g
ISBN: 978-0-240-80874-1
Verlag: Taylor & Francis Ltd (Sales)
Zielgruppe
Professional Practice & Development
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Objectives - Universal distribution master - Based on open standards - Device Independent - Extensible as technology advances - Compatible with today's film distribution > Screen luminance 14 ft L > White point 0.314 0.351 based on Xenon practiceColor Space - Options considered - Why XYZ was chosen - Explanation of CIE color and x y diagrams - Image state - output referredTransfer Function - Why gamma 2.6 - Why 12 bits - Contrast Sensitivity test - Full range - Normalization to support other white pointsReference Projector and Environment - Reference Projector - Environment - Calibration - Projector MeasurementsDigital Intermediate Process - Film and digital raw inputs - Film centric workflow- printing density - Print Film Emulation in reference display - Color Transforms to XYZ - Impact on color correctors and other equipment or software - Output referred encoding - Metadata on reference projectorColor Transformations - ICT in JPEG 2000 - Color transform to RGB in the projector - Color calibration in-situ - Gamut mapping in the projector - Nature's tone mappingDLP Cinema - a case study - How DLP technology works - Initial industry demonstrations - Responding to creative requests - Expansion of color gamut - P7v2 to expedite film matching - Color calibration in-situ - 3D LUT for gamut mapping - 3D LUT for film emulation - Expansion of contrast ratio - Cinelink® link encryption - Cinecanvas® subtitlesDigital 3D Presentation - Screen luminance requirement - Impact on color appearance - Dual link 4:2:2 interface - Various presentation options: > Dual projector; passive polarizers > Single projector; active glasses > Single projector with Z-screen; passive glasses > Infitec color filtersThe Future - Impact of wider gamut light sources - Gamut mapping requirements - Impact of digital cameras - 48 FPS for enhanced motion - Will film distribution be phased out? - Digital cinema centric workflow - Color Appearance Modeling - Auto color transforms for home video and other outputs