Profitable Film Producing

Turning Small Budgets Into Big Profits
1. Auflage 2026
ISBN: 978-1-041-19315-9
Verlag: Taylor & Francis

Buch, Englisch, 238 Seiten, Format (B × H): 156 mm x 234 mm

Profitable Film Producing teaches filmmakers how to approach a movie as both a creative project and a business. From evaluating story ideas and building realistic budgets to completing a market-ready film designed to maximize ROI without compromising creativity.

Throughout this book, executive producer Scott Kirkpatrick pulls back the curtain on independent filmmaking. Drawing on over two decades of experience in distribution, financing, and development, Kirkpatrick reveals how successful producers evaluate and strategize projects long before the cameras roll. Focused specifically on the sub-$1 million market—including films produced below $200,000!—the book moves beyond Hollywood myths to examine how independent filmmakers create commercially viable projects within real-world financial constraints. Readers will learn how to evaluate movies through a market lens, develop production-ready screenplays, approach investors, and navigate distribution agreements. Along the way, Kirkpatrick provides plain-spoken explanations of the financial, legal, and practical realities of the independent film marketplace, giving readers a foundation for making informed decisions. Filled with real-world examples, practical checklists and sample agreements, Profitable Film Producing bridges the gap between creative filmmaking and business.

This book is designed for emerging filmmakers, producers, industry professionals, investors, educators, and students seeking to better understand the commercial side of independent film. Covering traditional filmmaking alongside evolving areas such as vertical storytelling and AI-supported production. The book provides practical knowledge for anyone looking to develop, finance, produce, and distribute films—and build a track record of projects that are not only finished, but profitable.

Zielgruppe

Postgraduate, Professional Practice & Development, Professional Reference, and Undergraduate Advanced

Autoren/Hrsg.

Kirkpatrick, Scott

Fachgebiete

• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmproduktion, Filmtechnik

Inhaltsverzeichnis

Chapter 1 – The Business of Producing Independent Films

Chapter 2 – Genres That Sell

Chapter 3 – Scripting for the Budget

Chapter 4 – Budgets, Profits and the Gap In-Between

Chapter 5 – Pre-Production & Preparation

Chapter 6 – Physical Production

Chapter 7 – Post-Production & Delivery

Chapter 8 – Marketing & Press Kit Toolbox

Chapter 9 – The Distribution Process

Chapter 10 – Legal Workflows

Chapter 11 – The Land of Accounting

Chapter 12 – Getting Started Today

Appendix I – Distribution Agreement

Appendix II – Sample Pitch Deck

Appendix III – Sample Sub-$1 Million Budgets

Appendix IV –Feature Film Sales Projections

Appendix V – Material Delivery Schedule

Appendix VI – Writer for Hire Agreement

References & Sources

Über Autor(innen)

Scott Kirkpatrick is the Executive Vice President of Co-Productions & Distribution for Nicely Entertainment, where he brokers major content deals and has executive produced dozens of films that have premiered on platforms including Hulu, Tubi, Roku, Great American Family, and UPtv. With more than two decades of experience spanning film and television distribution, development, financing, and production, Kirkpatrick has worked on hundreds of projects and negotiated deals with producers, distributors, broadcasters, and platforms worldwide. Previously, he held senior distribution and business development positions with NENT Studios UK and MarVista Entertainment, and began his career working on major studio productions. He is the author of Writing for the Green Light, Introduction to Media Distribution (now in its second edition), and Mastering the Pitch, and has spoken at universities and industry events including California State University Northridge, George Washington University, Content LA and Story Summit. He lives in Los Angeles with his wife and two children.