Time in Contemporary Musical Thought

Erscheinungsjahr 1993
ISBN: 978-3-7186-5364-5
Verlag: Taylor & Francis

Buch, Englisch, 256 Seiten, Format (B × H): 174 mm x 246 mm, Gewicht: 420 g

Reihe: Contemporary Music Review

The articles in this collection create an interdisciplinary perspective. While attempting no unified vision, it approaches the subject from a variety of perspectives: aesthetics, psychology, sociology, ethnomusicology, compositional practice, and semiotics. While all composers are necessarily concerned with time, and while all theorists deal at least indirectly with music as a temporal phenomenon, the study of musical time has been fragmented. It is appropriate that no clear paradigm, model or direction has yet emerged in the study of muscial time, since time itself is both pervasive and elusive.

Autoren/Hrsg.

Kramer, Jonathan D.

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassische Musik des 20./21. Jahrhunderts

Inhaltsverzeichnis

Postmodernism, Narrativity, and the Art of Memory The Stylistic Perception of a Musical Work: An Experimental and Anthropological Approach Repetition Relations between Musical and Scientific Properties of Time Temporal Processes of Form: Roger Session's Third Piano Sonata Olivier Messiaen and Toru Takemitsu

Über Autor(innen)

Kramer, Jonathan D.