Confronting Visuality in Multi-Ethnic Women's Writing

1. Auflage 2014
ISBN: 978-1-349-48977-0
Verlag: Palgrave Macmillan

Buch, Englisch, 199 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 2727 g

Considering new perspectives on writers such as Toni Morrison, Margaret Atwood, and Louise Erdrich, Confronting Visuality in Multi-ethnic Women's Writing traces a cross-cultural tradition in which contemporary female writers situate images of women within larger contexts of visuality.

Zielgruppe

Research

Autoren/Hrsg.

Laflen, A.

Fachgebiete

• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Geisteswissenschaften Kunst Kunst, allgemein
• Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen

Inhaltsverzeichnis

Introduction: What's (Still) Wrong with Images of Women? PART I. COMING-OF-AGE WITH MASS MEDIA 1. (Re)visualizing History in Toni Morrison's The Bluest Eye 2. Transforming Culture and Consciousness in Bobbie Ann Mason's In Country PART II. WITNESSING VISUAL MANIPULATION 3. 'There Were Signs and I Missed Them': Reading Beneath the Image in Margaret Atwood's Speculative Fiction 4. The Politics of Vanishing: Bearing Witness to the Wounded Family in Louise Erdrich's Shadow Tag PART III. SPECTATORSHIP IN AN EXPANDED FIELD OF VISION 5. Against Visual Objectivity in Gish Jen's "Birthmates" and Chitra Banerjee Divakaruni's "The Ultrasound" 6. Queering Spectatorship in Alison Bechdel's Fun Home Conclusion: Confronting Visuality in the Digital Age ?

Über Autor(innen)

Angela Laflen is Associate Professor of English at Marist College, USA.