Partners of the Imagination

The Lives, Art and Struggles of John Arden and Margaretta D'Arcy
1. Auflage 2020
ISBN: 978-0-367-48914-4
Verlag: Taylor & Francis Ltd (Sales)

Buch, Englisch, 264 Seiten, Format (B × H): 155 mm x 239 mm, Gewicht: 635 g

Partners of the Imagination is the first in-depth study of the work of John Arden and Margaretta D’Arcy, partners in writing and cultural and political campaigns.

Beginning in the 1950s, Arden and D’Arcy created a series of hugely admired plays performed at Britain’s major theatres. Political activists, they worked tirelessly in the peace movement and the Northern Ireland ‘Troubles’, during which D’Arcy was gaoled. She is also a veteran of the Greenham Common Women’s Peace camp. Their later work included Booker-listed novels, prize-winning stories, essays and radio plays, and D’Arcy founded and ran a Woman’s Pirate Radio station. Raymond Williams described Arden as ‘the most genuinely innovative’ of the playwrights of his generation, and Chambers and Prior claimed that ‘The Non-Stop Connolly Show’, D’Arcy and Arden’s six-play epic, ‘has fair claim to being one of the finest pieces of post-war drama in the English language’.

This study explores the connections between art and life, and between the responsibilities of the writer and the citizen. Importantly, it also evaluates the range of literary works (plays, poetry, novels, essays, polemics) created by these writers, both as literature and drama, and as controversialist activity in its own right.

This work is a landmark examination of two hugely respected radical writers.

Autoren/Hrsg.

Leach, Robert

Fachgebiete

• Geisteswissenschaften Sprachwissenschaft Sprachwissenschaften
• Sozialwissenschaften Politikwissenschaft Politische Ideologien
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theaterregie, Theaterproduktion
• Sozialwissenschaften Politikwissenschaft Politische Kultur Staatsbürgerkunde, Staatsbürgerschaft, Zivilgesellschaft
• Sozialwissenschaften Politikwissenschaft Politische Kultur Menschenrechte, Bürgerrechte
• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
• Geisteswissenschaften Architektur Architektur: Allgemeines
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte

Inhaltsverzeichnis

List of Illustrations

Introduction

Acknowledgements

Prologue

One: A Yorkshire Boyhood

Two: Stirrings

Three: An Irish Girlhood

Four: The Aspiring Actress

Five: At the Royal Court Theatre

Six: Towards Collaboration

Seven: Festivals of Anarchy

Eight: A Playwright Without His Breeches

Nine: Alternatives in Politics and Theatre

Ten: Cartoons, Archetypes, Slogans, Theatre

Eleven: Looking and Seeing

Twelve: An Activist Theatre

Thirteen: A Mighty Bust-Up

Fourteen: Ireland Once Again

Fifteen: Non-Stop

Sixteen: Pinpricks and Follies

Seventeen: Unperson – New Person

Eighteen: ‘If You Are Beaten Down, You Just Rise Again!’

Nineteen: Artists for Freedom

Twenty: Pirate Woman

Twenty-one: Undeviating Paths

Twenty-two: The Ink Horn Not Yet Dry

Twenty-three: Loose Theatre

Twenty-four: ‘This Was Not History. It Has Not Passed’

Bibliography

Index

Über Autor(innen)

Robert Leach is a theatre director as well as an academic. Educated at Pembroke College, Cambridge, he has taught at Birmingham and Edinburgh Universities. He has published many books on theatre-related subjects, most recently from Routledge the two-volume Illustrated History of British Theatre and Performance.