Liebe Besucherinnen und Besucher,
aufgrund unseres Sommerfestes sind wir am 03. September 2026 bis 14 Uhr erreichbar. Am 04. September 2026 sind wir wieder wie gewohnt für Sie da. Vielen Dank für Ihr Verständnis.
Ihr Team von Sack Fachmedien
Buch, Englisch, 282 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 566 g
Buch, Englisch, 282 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 566 g
Reihe: Cambridge Studies in American Theatre and Drama
ISBN: 978-0-521-85051-3
Verlag: Cambridge University Press
In 1965, the first Asian American theatre company, the East West players, was founded by a group of actors who wanted to find better opportunities in the acting industry. Forty years later, Asian American theatre is one of the fastest growing theatre sectors with over thirty active theatre companies and numerous award-winning artists such as Frank Chin, Jessica Hagedorn, Ping Chong, David Henry Hwang, Philip Kan Gotanda, Velina Hasu, and B. D. Wong. Based on over seventy interviews, the book surveys the history of Asian American theatre from 1965 to 2005 with focus on actors, playwrights, companies, audiences, and communities. Emphasizing historical contexts, Esther Kim Lee examines how issues of cultural nationalism, interculturalism, and identity politics affect a racially defined theatre. Addressing issues ranging from actor's activism to Asian Diaspora, the book documents how Asian American theatre has become an indispensable part of American culture.
Autoren/Hrsg.
Fachgebiete
- Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft
- Wirtschaftswissenschaften Volkswirtschaftslehre Internationale Wirtschaft Volkswirtschaften einzelner Länder und Regionen
Weitere Infos & Material
Preface; 1. Asian American theatre before 1965; 2. Actors in the 1960s and 1970s; 3. First four theatre companies; 4. Diversification of Asian American theatre; 5. Second wave playwrights; 6. Solo performance; 7. Miss Saigon controversy; 8. The 1990s; Epilogue; Appendix A. Archival resources on Asian American theatre; Bibliography.




