The Modern Invention of Medieval Music

Scholarship, Ideology, Performance
Erscheinungsjahr 2007
ISBN: 978-0-521-03704-4
Verlag: Cambridge University Press

Buch, Englisch, 347 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 565 g

Reihe: Musical Performance and Reception

Medieval music has been made and remade over the past two hundred years. For the nineteenth century it was vocal, without instrumental accompaniment, but with barbarous harmony that no one could have wished to hear. For most of the twentieth century it was instrumentally accompanied, increasingly colourful and increasingly enjoyed. At the height of its popularity it sustained an industry of players and instrument makers, all engaged in recreating an apparently medieval performance practice. During the 1980s it became vocal once more, exchanging colour and contrast for cleanliness and beauty. But what happens to produce such radical changes of perspective? And what can we learn from them about the way we interact with the past? How much is really known about the way medieval music sounded? Or have modern beliefs been formed and sustained less by evidence than the personalities of scholars and performers, their ideologies and their musical tastes?

Autoren/Hrsg.

Leech-Wilkinson, Daniel

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Mittelalter & Renaissance
• Geisteswissenschaften Musikwissenschaft Musikinstrumente Instrumentenunterricht & Lernanleitungen

Inhaltsverzeichnis

Acknowledgements; Introduction; 1. The invention of the voices-and-instruments hypothesis; 2. The re-invention of the a cappella hypothesis; 3. Hearing medieval harmonies; 4. Evidence, interpretation, power and persuasion; Conclusion; Notes; Bibliography; Index.

Über Autor(innen)

Leech-Wilkinson, Daniel
Daniel Leech-Wilkinson is a writer and broadcaster on medieval music. He is Reader in Historical Musicology at King's College, London and his previous books include studies and editions of the fourteenth-century poet and composer Guillaume de Machaut.