Buch, Englisch, 264 Seiten, Format (B × H): 170 mm x 244 mm, Gewicht: 468 g
Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England
Buch, Englisch, 264 Seiten, Format (B × H): 170 mm x 244 mm, Gewicht: 468 g
ISBN: 978-0-521-44854-3
Verlag: Cambridge University Press
This innovative study examines the place and practice of musical life in eighteenth-century England among the upper classes. Focusing on the home, it shows how domestic music-making was shaped by socio-cultural forces while itself contributing to socio-cultural formation. The evidence examined is extremely broad, but particular attention is given to visual representations of music in paintings, drawings and prints: one hundred illustrations are discussed. The author considers in detail the problematics of imagery itself, analysing both the ideological and the semiotic content of the visual image. Other material analysed includes the music of the period, instruction manuals, tracts on education, courtesy and conduct books, sermons, letters, diaries and memoirs, fictional writing and journalism.
Autoren/Hrsg.
Weitere Infos & Material
1. Introduction: music visualised; 2. Music, socio-politics, ideologies of male sexuality and power; 3. Music, sexism and female domesticity; 4. Music education as social praxis; 5. Music and the body: dance, power, submission; 6. The male at music: praxis, representation and the problem of identity; 7. The female at music: praxis, representation and the problematic of identity; 8. Music in domestic space: domination, compensation, and the family; 9. Epilogue: the social and ideological relation of musics to privatised space.
