Problem Fathers in Shakespeare and Renaissance Drama

Erscheinungsjahr 2015
ISBN: 978-1-316-50527-4
Verlag: Cambridge University Press

Buch, Englisch, 268 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 393 g

Fathers are central to the drama of Shakespeare's time: they are revered, even sacred, yet they are also flawed human beings who feature as obstacles in plays of all genres. In Problem Fathers in Shakespeare and Renaissance Drama, Tom MacFaul examines how fathers are paradoxical and almost anomalous characters on the English Renaissance stage. Starting as figures of confident authority in early Elizabethan drama, their scope for action becomes gradually more restricted, until by late Jacobean drama they have accepted the limitations of their power. MacFaul argues that this process points towards a crisis of patriarchal authority in wider contemporary culture. While Shakespeare's plays provide a key insight into these shifts, this book explores the dramatic culture of the period more widely to present the ways in which Shakespeare's work differed from that of his contemporaries while both sharing and informing their artistic and ideological preoccupations.

Autoren/Hrsg.

Macfaul, Tom

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Englische Literatur
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik

Inhaltsverzeichnis

1. Introduction; 2. Staying fathers in early Elizabethan drama: Gorboduc to The Spanish Tragedy; 3. Identification and impasse in drama of the 1590s: Henry VI to Hamlet; 4. Limiting the father in the 1600s: the wake of Hamlet and King Lear; 5. After The Tempest; Conclusion.

Über Autor(innen)

Macfaul, Tom
Tom MacFaul is Fellow and Departmental Lecturer in English at Merton College, University of Oxford. He is the author of Male Friendship in Shakespeare and his Contemporaries (2007), Poetry and Paternity in Renaissance England (2010) and many articles on Renaissance poetry and drama. He is also the co-editor of Tottel's Miscellany (2011) with Amanda Holton.