Cultural Identity in British Musical Theatre, 1890-1939

Knowing One's Place
1. Auflage 2018
ISBN: 978-1-137-59806-6
Verlag: Palgrave Macmillan UK

Buch, Englisch, 245 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 458 g

Reihe: Palgrave Studies in British Musical Theatre

This book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of ‘Britishness’, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of ‘Britishness’, reflecting the anxieties of a nation in decline.

Zielgruppe

Research

Autoren/Hrsg.

Macpherson, Ben

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte

Inhaltsverzeichnis

1. The British Musical in Seven Stories.- 2. Nation – Mythologies and Modernity.- 3. Femininity – Cinderella’s and Caretakers.- 4. Manliness – Domesticity and Defence.- 5. Empire – Ornamentalism and Orientalism.- 6. Conflict – Continuity and Change.- 7. Peace – Nostalgia and Nationhood.- 8. The English Musical in Many Stories.

Über Autor(innen)

Ben Macpherson is Senior Lecturer in Musical Theatre in the School of Media and Performing Arts at the University of Portsmouth, UK. His publications include Voice Studies: Critical Approaches to Process, Performance and Experience (co-edited with Konstantinos Thomaidis, 2015) and he has written widely on both voice studies and British identity in musical theatre.