Arabian Nights in Historical Context

Between East and West
Erscheinungsjahr 2008
ISBN: 978-0-19-955415-7
Verlag: OUP Oxford

Buch, Englisch, 352 Seiten, Print PDF, Format (B × H): 161 mm x 240 mm, Gewicht: 693 g

Alf layla wa layla (known in English as A Thousand and One Nights or The Arabian Nights) changed the world on a scale unrivalled by any other literary text. Inspired by a fourteenth-century Syrian manuscript, the appearance of Antoine Galland's twelve-volume Mille et Une Nuits in English translation (1704-1717), closely followed by the Grub Street English edition, drew the text into European circulation. Over the following three hundred years, a widely heterogeneous series of editions, compilations, translations, and variations circled the globe to reveal the absorption of The Arabian Nights into English, Continental, and global literatures, and its transformative return to modern Arabic literature, where it now enjoys a degree of prominence that it had never attained during the classical period. Beginning with a thorough introduction situating The Arabian Nights in its historical and cultural contexts-and offering a fresh examination of the text's multiple locations in the long history of modern Orientalism--this collection of essays by noted scholars from 'East', 'West', and in-between reassesses the influence of the Nights in Enlightenment and Romantic literature, as well as the text's vigorous after-life in the contemporary Arabic novel.

Autoren/Hrsg.

Makdisi, Saree

Nussbaum, Felicity

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik

Inhaltsverzeichnis

- Introduction

- 1: Madeleine Dobie: Translation in the Contact Zone: Antoine Galland's Mille et une nuits: contes arabes

- 2: Robert L. Mack: Cultivating the Garden: Antoine Galland's Arabian Nights in the Traditions of English Literature

- 3: Ros Ballaster: Playing the Second String: The Role of Dinarzade in Eighteenth-Century English Fiction

- 4: Bridget Orr: Galland, Georgian Theater, and the Creation of Popular Orientalism

- 5: Nabil Matar: Christians in The Arabian Nights

- 6: Khalid Bekkaoui: White Women and Moorish Fancy in Eighteenth-Century Literature

- 7: Donna Landry: William Beckford's Vathek and the Uses of Oriental Reenactment

- 8: James Watt: The peculiar character of the Arabian Tale: William Beckford and The Arabian Nights

- 9: Tim Fulford: Coleridge and the Oriental Tale

- 10: Srinivas Aravamudan: The Adventure Chronotope and the Oriental Xenotrope: Galland, Sheridan, and Joyce Domesticate The Arabian Nights

- 11: Nasser Al-Taee: Under the Spell of Magic: The Oriental Tale in Rimsky-Korsakov's Scheherazade

- 12: Maher Jarrar: The Influence of The Arabian Nights on the Contemporary Arabic Novel

Über Autor(innen)

Saree Makdisi is Professor of English and Comparative Literature at the University of California, Los Angeles. He is the author of Romantic Imperialism: Universal Empire and the Culture of Modernity (1998), and William Blake and the Impossible History of the 1790s (2003). He has also written a number of articles for publications including Critical Inquiry, South Atlantic Quarterly, Studies in Romanticism, The Cambridge Companion to Blake, The Oxford Encyclopedia of British Literature, and The Cambridge Companion to English Literature, 1740-1830.

Felicity Nussbaum is Professor of English at the University of California, Los Angeles, and Senior Global Fellow with the International Institute. She is the author most recently of The Limits of the Human: Fictions of Anomaly, Race, and Gender in the Long Eighteenth Century (2003), and the editor of The Global Eighteenth Century (2003). Among her other publications are The Autobiographical Subject: Gender and Ideology in Eighteenth-Century England (1989), co-winner of the Louis Gottschalk Prize; and Torrid Zones: Maternity, Sexuality, and Empire (1995).