Mise En Scène and Film Style

From Classical Hollywood to New Media Art
2014. Auflage 2014
ISBN: 978-1-137-26994-2
Verlag: Palgrave MacMillan UK

Buch, Englisch, 235 Seiten, Format (B × H): 144 mm x 223 mm, Gewicht: 4238 g

Reihe: Palgrave Close Readings in Film and Television

Styles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scène and dispositif, to illuminate a wide range of film and new media examples.

Zielgruppe

Research

Autoren/Hrsg.

Martin, A.

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften

Inhaltsverzeichnis

Contents List of Figures Acknowledgements Prologue: At the Ballet Ruse 1. A Term That Means Everything, and Nothing Very Specific 2. Aesthetic Economies: The Expressive and the Excessive 3. What Was Mise en scène? 4. The Crises (1): Squeezed and Stretched 5. The Crises (2): The Style It Takes 6. Sonic Spaces 7. A Detour via Reality: Social Mise en scène 8. Cinema, Audiovisual Art of the 21st Century 9. The Rise of the Dispositif Epilogue: Five Minutes and 15 Seconds with Ritwik Ghatak Notes Bibliography

Über Autor(innen)

Adrian Martin is Professor of Film Studies at Goethe University, Germany, and Monash University, Australia. His books include Phantasms, Once Upon a Time in America, The Mad Max Movies, Last Day Every Day and What is Modern Cinema?. He is co-editor of the online film journal LOLA and the book Movie Mutations.