OHB PHILOSOPHY PERCEPTION OHBK C

Erscheinungsjahr 2015
ISBN: 978-0-19-960047-2
Verlag: ACADEMIC

Buch, Englisch, 936 Seiten, Format (B × H): 175 mm x 250 mm, Gewicht: 1760 g

Reihe: Oxford Handbooks

The Oxford Handbook of Philosophy of Perception is a survey by leading philosophical thinkers of contemporary issues and new thinking in philosophy of perception. It includes sections on the history of the subject, introductions to contemporary issues in the epistemology, ontology and aesthetics of perception, treatments of the individual sense modalities and of the things we perceive by means of them, and a consideration of how perceptual information is
integrated and consolidated. New analytic tools and applications to other areas of philosophy are discussed in depth. Each of the forty-five entries is written by a leading expert, some collaborating with younger figures; each seeks to introduce the reader to a broad range of issues. All contain new ideas on the
topics covered; together they demonstrate the vigour and innovative zeal of a young field. The book is accessible to anybody who has an intellectual interest in issues concerning perception.

Autoren/Hrsg.

Matthen

Matthen, Mohan

Fachgebiete

• Geisteswissenschaften Philosophie Erkenntnistheorie
• Geisteswissenschaften Philosophie Moderne Philosophische Disziplinen Philosophie des Geistes, Neurophilosophie
• Interdisziplinäres Wissenschaften Wissenschaften Interdisziplinär Neurowissenschaften, Kognitionswissenschaft
• Sozialwissenschaften Psychologie Allgemeine Psychologie Kognitionspsychologie Wahrnehmung

Über Autor(innen)

Mohan Matthen studied Physics as an undergraduate at St. Stephen's College in Delhi, and took a PhD from Stanford University. He is currently Canada Research Chair in the Philosophy of Perception at the University of Toronto and a Fellow of the Royal Society of Canada. His current research is in philosophy of biology and philosophy of perception. He is working on a book that reconceptualises perception as an action, and on other topics around perception, including
aesthetic pleasure and the proper way to understand secondary qualities.