Irish Shakespeares

Gender, Sexuality, and Performance in the Twenty-First Century
1. Auflage 2026
ISBN: 978-0-367-53651-0
Verlag: Taylor & Francis Ltd

Buch, Englisch, 182 Seiten, Format (B × H): 163 mm x 240 mm, Gewicht: 430 g

Reihe: Routledge Advances in Theatre & Performance Studies

Irish Shakespeares explores performances, adaptations, and appropriations of Shakespeare in Irish theatrical contexts, and how they articulate concerns and conversations about gender and sexual politics.

This book is the first full-length study to investigate Irish uses and appropriations in Shakespeare performance history and practice. In doing so the book demonstrates the distinctive nature of writing about Irish Shakespeare performance, in that it sits within and across multiple theoretical frameworks and paradigms. It primarily focuses on theatrical work in the Republic of Ireland, as well as performances of Shakespeare by Irish practitioners in English theatres, during a time of legislative, biopolitical, and social change and upheaval on the island of Ireland (2014-2022). Irish Shakespeares illustrates Irish Shakespeare performance as a valuable site for exploring and embodying notions, performances, and ideas of gender, sexuality, and national identity. It does not claim to be the last word on Irish Shakespeare performance either, proposing generative strategies for future work.

This book is suitable for scholars and students specialising in Shakespeare and early modern performance studies, global Shakespeares, and Shakespeare and Ireland studies, as well as Irish theatre and performance, Irish cultural history, gender and sexuality studies, and performance and politics.

Zielgruppe

Academic

Autoren/Hrsg.

McHugh, Emer

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Englische Literatur
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte

Inhaltsverzeichnis

1. Introduction: State of the State  2. ‘Unmanly Grief’: Men, Masculinities, and Two Irish Hamlets in London and Dublin (2017–2018)  3. Embodied Histories: Druidshakespeare (2015)  4. Numbered in the Song: The Taming Of The Shrew at Shakespeare’s Globe (2016)  5. The Aesthetics of Queer Irish Shakespeares: Twelfth Night at the Abbey Theatre (2014)  6. Epilogue: Bad Mams

Über Autor(innen)

Emer McHugh is an Irish writer and academic based in Belfast. She is a visiting scholar at Queen’s University Belfast, where she held a Marie Sklowdowska-Curie Fellowship for the project ‘Shakespeare and the Irish Actor’. She has published widely on Irish Shakespeare performance; theatre and celebrity; and the histories of actors, acting, and acting practices. Her writing for public audiences can be found in The Guardian, Rupture, HowlRound Theatre Commons, and RTÉ Brainstorm.