3D Movie Making

Stereoscopic Digital Cinema from Script to Screen
1. Auflage 2009
ISBN: 978-0-240-81137-6
Verlag: Taylor & Francis

Buch, Englisch, 232 Seiten, Format (B × H): 184 mm x 237 mm, Gewicht: 518 g

Hollywood is going 3D! Join the revolution with this primer to all of the essential skills for live action 3D, from preproduction through distribution.
3D perception and science is presented in an accessible way that provides the principles of Stereoscopic vision you need to make the transition from the 2D world. Tools of the trade are enumerated with an eye on current constraints and what is coming down the pike to smooth the way. Step-by-step instructions detail how 3D processes affect every stage of the production including screenwriting, art direction, principle photography, editing, visual effects and distribution.
The downloadable resources include an array of 2D and 3D images that demonstrate concepts and techniques, 3D movie shorts that showcase alternative techniques, After Effects project files to explore and manipulate for effect, and a resource list of software tools and tutorials that demonstrate techniques.

Zielgruppe

Professional Practice & Development

Autoren/Hrsg.

Mendiburu, Bernard

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmproduktion, Filmtechnik
• Mathematik | Informatik EDV | Informatik Professionelle Anwendung Digitales Video
• Mathematik | Informatik EDV | Informatik Professionelle Anwendung Computersimulation & Modelle, 3-D Graphik

Inhaltsverzeichnis

Introduction to 3D Cinema; Why and how do we see 3D?; Managing the switchover to Digital 3D; Introductory workshops; Thinking 3D, or 3D for Storytelling; 3D Art Direction; The 3D Principal Photography; CGI and Visual Effects in 3D; Compositing 3D; Editing 3D; Distributing and Showing 3D; Appendix: 3D Marketplace

Über Autor(innen)

Bernard Mendiburu is a stereographer and digital cinema consultant working with feature animation studios in Los Angeles, where his credits include Meet The Robinsons” and Monsters vs Aliens”. The author of 3D Movie Making” (Focal Press) he recently joined the 3D@Home Consortium's Advisory Committee on 3D Quality and was an active member of the SMPTE 3D Task Force.
Bernard's lectures and workshops on 3D cinema were selected by CalArt's Experimental Animation department and Laika Entertainment (Coraline). In 2009, Bernard presented a paper on 3D Workflows at the SPIE Stereoscopic Display and Applications conference and at the NAB's Digital Cinema Summit, and a two-day long workshop on 3D postproduction the Paris' Dimension3 conference.