Modernism and Market Fantasy

British Fictions of Capital, 1910-1939
2012. Auflage 2012
ISBN: 978-0-230-39152-9
Verlag: Springer

Buch, Englisch, 245 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 454 g

Examining work from Ford and Conrad's pre-war impressionism through Rhys's fiction of the late 1930s, the author shows how modernist innovation engages with transformations in early twentieth-century capitalism and tracks the ways in which modernist fiction reconfigures capitalist mythologies along the fault lines of their internal contradictions.

Zielgruppe

Research

Autoren/Hrsg.

Mickalites, C.

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
• Wirtschaftswissenschaften Volkswirtschaftslehre Internationale Wirtschaft
• Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik

Inhaltsverzeichnis

Acknowledgements Introduction: Modernism and Market Fantasy: British Fictions of Capital, 1910 - 1939 Impressions of the Market: Ford, Conrad, and Modernist Investment Fantasy Dubliners' IOU: Joyce's Aesthetics of Exchange The Instant and the Outmoded: Wyndham Lewis, Ulysses, and the Spectacle of Time Alienated Vision and the Will to Intimacy, or, Virginia Woolf and 'the Human Spectacle' Good Morning, Midnight: Jean Rhys's Melancholic Late Modernism Conclusion

Über Autor(innen)

CAREY JAMES MICKALITES is Assistant Professor of English at the University of Memphis, USA. He has published several articles on modernism, including work on Joyce, Ford, Conrad, Dos Passos, and Barrie.