Milstein | Tracking the Master Scribe | Buch | 978-0-19-020539-3 | www.sack.de

Buch, Englisch, 264 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 567 g

Milstein

Tracking the Master Scribe

Revision Through Introduction in Biblical and Mesopotamian Literature
Erscheinungsjahr 2016
ISBN: 978-0-19-020539-3
Verlag: OXFORD UNIV PR

Revision Through Introduction in Biblical and Mesopotamian Literature

Buch, Englisch, 264 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 567 g

ISBN: 978-0-19-020539-3
Verlag: OXFORD UNIV PR


When we encounter a text, whether ancient or modern, we typically start at the beginning and work our way toward the end. In Tracking the Master Scribe, Sara J. Milstein demonstrates that for biblical and Mesopotamian literature, this habit can yield misleading results.

In the ancient Near East, "master scribes"--those who had the authority to produce and revise literature--regularly modified their texts in the course of transmission. One of the most effective techniques for change was to add something to the front--what Milstein calls "revision through introduction." This method allowed scribes to preserve their received material while simultaneously recasting it. As a result, numerous biblical and Mesopotamian texts manifest multiple and even competing viewpoints. Due to the primary position of these additions, such reworked texts are often read solely through the lens of their final contributions. This is true not only for biblical and cuneiform texts in their final forms, but also for Mesopotamian texts that are known from multiple versions: first impressions carry weight.

Rather than "nail down every piece of the puzzle," Tracking the Master Scribe demonstrates what is to be gained when engaging questions of textual transmission with attention to how scribes actually worked. Working from the two earliest corpora that allow us to track large-scale change, the book provides broad overviews of evidence available for revision through introduction, as well as a set of detailed case studies that offer fresh insight into well-known biblical and Mesopotamian literary texts. The result is the first comprehensive and comparative profile of this key scribal method: one that was not only ubiquitous in the ancient Near East but also epitomizes the attitudes of the master scribes toward the literature that they produced.

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- Abbreviations

- List of Figures

- Preface

- 1. Spotlight on Method: (Revision through) Introduction

- I. The Transmission of Mesopotamian Literature

- Advantages and Limitations of the Mesopotamian Evidence

- Assyriological Studies on Textual Change

- II. The Transmission of Hebrew/Biblical Literature

- Advantages and Limitations of the Hebrew/Biblical Evidence

- Recent Evaluations of Scribal Methods and Hard Evidence in Biblical Studies

- III. The Scope of Tracking the Master Scribe

- The Case Studies

- Terms, Aims, and Methodologies

- 2. "Evident" Cases of Revision through Introduction

- I. Revision through Introduction in Mesopotamian Literature

- a. The Sumerian King List

- b. The Epic of Etana

- II. Revision through Introduction in Hebrew/Biblical Literature

- a. The Community Rule

- b. The Books of Esther

- III. Conclusions

- 3. A Second Wind: Revision through Introduction in Adapa

- I. Back to Eridu: The Revision of Adapa in Akkadian

- The Middle Babylonian Version of Adapa (Fragment B)

- The Neo-Assyrian Version(s) of Adapa

- Continuity and Discontinuity across the Akkadian Tradition

- Fragments A and D: Expansion or Elimination?

- II. Which Way the Wind Blows: From Adaba to Adapa

- The Tell Haddad Version of Adapa

- Continuity and Discontinuity between Tell Haddad and Fragment B

- The Tell Haddad Introduction and "South Wind Ending": Addition or Elimination?

- III. Conclusions

- 4. Surpassing All Versions: Revision through Introduction in the Gilgamesh Epic

- I. The Akkadian Huwawa Narrative and the Emergence of the Epic

- Competing Sets of Logic in the Old Babylonian Epic

- The Epic Act of Revision through Introduction

- II. Surpassing All Kings: The Ugarit and Standard Babylonian Prologues to the Gilgamesh Epic

- The Middle Babylonian Prologue to Gilgamesh at Ugarit

- Standard Babylonian I 1-28 and Its Contrasting Features

- The Two Prologues as "Revision through Introduction"

- III. Gilgamesh, Enkidu, and the Netherworld and Tablet XII of the Standard Babylonian Version

- Gilgamesh, Enkidu, and the Netherworld and Tablet XII

- Tablet XII and Its Relation to Gilgamesh, Enkidu, and the Netherworld

- The Absence of GEN 1-171 in Tablet XII

- IV. Conclusions, or One More Circuit around the Wall

- 5. Delusions of Grandeur: Revision through Introduction in Judges 6-9

- I. The Early Abimelekh Account (Judges 9:26-54)

- The Antiquity of Judges 9

- The Independent Logic of Judges 9:26-54

- II. The Early Gideon Account (Judges 8:4-21)

- The Independent Logic of Judges 8:4-21

- The Parallel Nature of the Old Gideon and Abimelekh Episodes

- III. New Backdrops for the Gideon-Abimelekh Block: Judges 6:1-8:3

- Judges 7:1-22: Yahweh to the Rescue!

- Judges 6:25-32: A Yahwistic Etiology for "Jerubbaal"

- IV. Conclusions

- 6. Echoes of Saul: Revision through Introduction in Judges 19-21, 1 Samuel 1, and 1 Samuel 11

- I. Competing Sets of Logic in Judges 19-21

- Contrasts between Judges 19:1-20:13 and Judges 20:14ff

- The Composite Nature of Judges 21

- II. Shiloh and Benjamin: Evidence for an "Old Saul Complex"

- The Origins of 1 Samuel 1 as a Saul Birth Narrative

- The Links between Judges 21:15-24 and 1 Samuel 1

- III. The Old Saul Complex and Its Polemical Recasting

- The Unexplained Markers of Judges 19

- The Inclusion of 1 Samuel 11:1-11 in the "Saul Complex"

- IV. Conclusions

- 7. The "Magic" of Beginnings (and Endings)

- Works Cited

- Index of Authors

- Index of Primary Sources

- Index of Subjects


Sara J. Milstein is Assistant Professor of Hebrew Bible and Ancient Near Eastern Studies at the University of British Columbia.



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