The Co-production Landscape in Europe

From Eurimages to Netflix
Erscheinungsjahr 2025
ISBN: 978-3-031-92340-1
Verlag: Palgrave Macmillan

Buch, Englisch, 241 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 456 g

Reihe: Palgrave European Film and Media Studies

This book explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema.

Zielgruppe

Research

Autoren/Hrsg.

Mitric, Petar

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmproduktion, Filmtechnik
• Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Medien-, Informations und Kommunikationswirtschaft Filmindustrie

Inhaltsverzeichnis

Chapter 1: European Co-Production – Because Together Is Better than One.- Chapter 2: Towards an and Its Audiences.- Chapter 3: From Borders to Bridges: Eurimages and the Rise of European Co-Production Field.- Chapter 4:Architects of Collaboration: The Role of Public Film Funds in European Co-Productions.- Chapter 5: Navigating the Labyrinth of European Co-Production: Voices from Behind the Camera.- Chapter 6: From Vision to Viewer: Audience Design in European Co-Production.- Chapter 7: Co-Producing in the Netflix Age: Balancing Independence and Collaboration.- Chapter 8: Conclusion.

Über Autor(innen)

Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film i Väst and TorinoFilmLab.