Fenton, Natalie
Natalie Fenton is a Professor of Media and Communications and Co-Head of the Department of Media, Communications and Cultural Studies at Goldsmiths, University of London. She is also Co-Director of the Centre for the Study of Global Media and Democracy. She has published widely on issues relating to civil society, radical politics, digital media, news and journalism and is particularly interested in issues of political transformation, radical media reform and re-imagining democracy. She was Vice-chair of the Board of Directors of the campaign group Hacked Off for 7 years and is currently Chair of the UK Media Reform Coalition.
Her books include New Media: Old News: Journalism and Democracy in the Digital Age (Sage, 2010); Misunderstanding the Internet co-authored with James Curran and Des Freedman (Routledge, 2016); Digital, Political, Radical (2016, Polity); Media, Democracy and Social Change: Re-imagining Political Communications co-authored with Des Freedman, Gholam Khiabany and Aeron Davis (Sage, 2020) and The Media Manifesto co-authored with Lina Des Freedman and Justin Schlosberg and Lina Dencik (Polity, 2020).
McGuigan, Jim
Jim McGuigan is a freelance researcher, writer and artist. He is also Emeritus Professor of Cultural Analysis at Loughborough University UK. Previously, he taught at Coventry, Leeds, Leeds Trinity, Open and Wolverhampton Universities. He was a research officer at the Arts Council of GB and a script editor in the BBC TV Drama (Plays) Department. He has been a visiting scholar at, amongst others, the Universities of Bergen, Canberra, Canterbury (Christchurch NZ), Catalonia, Copenhagen, Eastern Finland, Izmir, Jyvaskyla, Rostock and at IFK Vienna. He has delivered keynote addresses at conferences and guest lectures in Australia, Austria, Canada, Croatia, Finland, Germany, Ireland, Israel/Palestine, Norway as well as at various universities in Britain and elsewhere. He has, for instance, served on the Art and Humanities Research Council and the European Commission.
Jim’s main academic interests are in social theory, cultural studies and policy. He has published in many book collections and journals, including Cultural Studies, European Journal of Cultural Studies, International Journal of Cultural Policy, Keywords, New Left Review, New Statesman, Social Semiotics, Sociological Review and Sociology. His books include Cultural Populism (1992), Culture and the Public Sphere (1996), Cultural Methodologies (1997), Modernity and Postmodern Culture (1999, 2006), Rethinking Cultural Policy (2004), Cool Capitalism (2009), Cultural Analysis (2010), Raymond Williams on Culture and Society (2014), A Short Counter-Revolution – Raymond Williams’s Towards 2000 Revisited (2015) and Neoliberal Culture (2016). He is currently working on a book about Raymond Williams.
Pickering, Michael
Michael has published over a hundred articles and chapters in edited collections. These cover a number of areas including popular music, racism and popular culture, imperialism and theatrical history, Mass Observation, working-class writing, news and documentary, stereotyping and representation, humour and comedy, creativity and cultural production, media and memory, and historical hermeneutics. Overall his work covers the fields of media and communication studies, social and cultural history, and the sociology of art and culture. Michael has also written extensively on research methods, having edited collections on methods in cultural studies and memory studies, and been co-author of Researching Communications (Bloomsbury, 2007), along with David Deacon, Peter Golding and Graham Murdock. He has recently completed a major AHRC research project on music in the workplace, with Marek Korczynski of Nottingham University and Emma Robertson of La Trobe University. Their book, Rhythms of Labour: The History of Music at Work in Britain, is published by Cambridge University Press. With Emily Keightley, Michael is currently involved in a research project funded by the Leverhulme Trust on media and memory. Their book The Mnemonic Imagination is published by Palgrave Macmillan.
