The Origins of Beowulf

From Vergil to Wiglaf
Erscheinungsjahr 2007
ISBN: 978-0-19-920661-2
Verlag: OUP Oxford

Buch, Englisch, 400 Seiten, Print PDF, Format (B × H): 161 mm x 240 mm, Gewicht: 746 g

This book suggests that the Old English epic Beowulf was composed in the winter of 826-7 as a requiem for King Beornwulf of Mercia on behalf of Wiglaf, the ealdorman who succeeded him. The place of composition is given as the minster of Breedon on the Hill in Leicestershire (now Derbyshire) and the poet is named as the abbot, Eanmund. As well as pinpointing the poem's place and date of composition, Richard North raises some old questions relating to the poet's influences from Vergil and from living Danes. Norse analogues are discussed in order to identify how the poet changed his heroic sources while four episodes from Beowulf are shown to be reworked from passages in Vergil's Aeneid. One chapter assesses how the poem's Latin sources might correspond with what is known of Breedon's now-lost library while another seeks to explain Danish mythology in Beowulf by arguing that Breedon hosted a meeting with Danish Vikings in 809. This fascinating and challenging new study combines careful detective work with meticulous literary analysis to form a case that no future investigation will be able to ignore.

Autoren/Hrsg.

North, Richard

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Klassische Literaturwissenschaft

Inhaltsverzeichnis

- 1: Introduction: Beowulf and Wiglaf

- 2: Dynastic innovation in Beowulf

- 3: Vergil and the monastery in Beowulf

- 4: Ingeld's rival: Beowulf and Aeneas

- 5: 'Quid Hinieldus?' Bishop Unwona and friends

- 6: Beowulf and the library at Breedon on the Hill

- 7: The king's soul: Danish mythology in Beowulf

- 8: 'Thryth' and the reign of Offa

- 9: Hygelac and Beowulf: Cenwulf and Beornwulf

- 10: King Wiglaf and 'Eanmundes laf'

Über Autor(innen)

Richard North was born and brought up in Oxford, and read Old English and Old Norse literature at Oxford University. He completed his PhD in the Department of Anglo-Saxon, Norse and Celtic at Cambridge University, where he compared Old English and Old Norse poetry, building up interests which led to two books on the literary remains of Anglo-Saxon paganism. He has also written on Old Icelandic literature, mainly poetry, and since 1989 has been teaching these subjects at University College London.