The Celluloid Madonna - From Scripture to Screen

Erscheinungsjahr 2012
ISBN: 978-1-906660-28-4
Verlag: Wallflower Press

Buch, Englisch, 224 Seiten, Format (B × H): 161 mm x 242 mm, Gewicht: 470 g

The Celluloid Madonna is the first book to analyze the life of the Virgin Mary on screen from the silent era through to the present. For decades, Mary has caught the imagination of filmmakers from a range of religious backgrounds, whether Catholic, Protestant, Muslim, Marxist, or atheist, and film's intersection of theology and secular culture has inspired some of the most singular and controversial visions of this icon in cinema history. Focusing on the challenge of adapting Scripture to the screen, this volume discusses Cecil B. DeMille's The King of Kings (1927), Pier Paolo Pasolini's The Gospel According to St. Matthew (1964), Franco Zeffirelli's Jesus of Nazareth (1977), Jean-Luc Godard's Hail Mary (1984), Jean Delannoy's Mary of Nazareth (1994), Mel Gibson's The Passion of the Christ (2004), Catherine Hardwicke's The Nativity Story (2006), and Mark Dornford-May's Son of Man (2006).

Autoren/Hrsg.

O&

O'Brien, Catherine

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Inhaltsverzeichnis

AcknowledgementsAbbreviationsIntroduction1. Contexts2. Announcement and Commission3. Mary and Joseph4. Virgin and Mother5. Mother and DiscipleConclusionNotesFilmographyBibliographyIndex

Über Autor(innen)

Catherine O'Brien is senior lecturer in film studies and French at Kingston University in the U.K. She has published widely on the intersections between Marian theology and secular culture.