Authorial Echoes

Textuality and Self-plagiarism in the Narrative of Luigi Pirandello
1. Auflage 2003
ISBN: 978-1-904713-03-6
Verlag: Taylor & Francis Ltd

Buch, Englisch, 200 Seiten, Format (B × H): 137 mm x 215 mm, Gewicht: 263 g

Luigi Pirandello is best known for his experimental plays, but his narrative production has not enjoyed the same degree of critical attention. O'Rawe's study represents the first major reassessment of this output, including the 'realist' novels, the historical novel I vecchi e i giovani (1909) and the autobiographical Suo marito (1911). The book identifies in Pirandello a practice of 'self-plagiarism' - constant rewriting and revision and obsessive re-use of material - and explores the relation of these overlooked modes of composition to the author's own theories of authorship and textuality. Drawing on a wide range of critical theory, O'Rawe repositions Pirandello as a major figure in the development of European narrative modernism.

Autoren/Hrsg.

O'Rawe, Catherine

Fachgebiete

• Geisteswissenschaften Sprachwissenschaft Fremdsprachenerwerb und -didaktik
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft
• Geisteswissenschaften Sprachwissenschaft Sprachwissenschaften

Inhaltsverzeichnis

Introduction PART I 1 ‘Non parola ma la cosa stessa’: Pirandello, Metaphor and ‘L’umorismo’ 2 The Unrepeatable Repeated: Epiphany and Self-Plagiarism PART II 3 Metaphors of History: I vecchi e i giovani 4 Authors and Authenticity: Suo marito, 5 ‘Non conclude’?: Uno, nessuno e centomila and the Dangers of Overinterpretation, Conclusion

Über Autor(innen)

Catherine O'Rawe