Pinder | Race-ing Art History | Buch | 978-0-415-92761-1 | www.sack.de

Buch, Englisch, 438 Seiten, Format (B × H): 178 mm x 254 mm, Gewicht: 810 g

Pinder

Race-ing Art History

Critical Readings in Race and Art History
Erscheinungsjahr 2002
ISBN: 978-0-415-92761-1
Verlag: CRC Press

Critical Readings in Race and Art History

Buch, Englisch, 438 Seiten, Format (B × H): 178 mm x 254 mm, Gewicht: 810 g

ISBN: 978-0-415-92761-1
Verlag: CRC Press


Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.

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Autoren/Hrsg.


Weitere Infos & Material


List of figures

List of Color Plates

Introduction: Kymberly N. Pinder

I. Black Athenas, Semitic Devils and Black Magi: Reading Race from Antiquity to the Middle Ages

1. Just Like Us: Cultural Constructions of Sexuality and Race in Roman Art: John R. Clarke

2. Imaging the Self: Identity and Gender in Representations in a Yiddish Books of Customs: Diane Wolfthal

3. A Sanctified Black: Maurice: Jean Devisse

II. Imag(in)ing Race in the Eighteenth and Nineteenth Centuries

4. The Imaginary Orient: Linda Nochlin

5. Only Women should go to Turkey: Henriette Brown and the Orientalist Female Gaze: Reina Lewis

6. The Hottentot and the Prostitute: Toward an Iconography of Female Sexuality: Sander Gilman

7. Going Native: Abigail Solomon-Godeau

8. Racism, Nationalism, and Nostalgia: J. Gray Sweeney

9. Blacks in Shark- Infested Waters: Albert Boime

10. Making a Man of Him: Masculinity and the Black Body in Mid-Nineteenth Century American Sculpture: Michael Hatt

III. Modernism and its Primitive Legacy

11. Histories of the Tribal and the Modern: James Clifford

12. The White Peril and L'Art nègre: Picasso, Primitivism, and Anticolonialism: Patricia Leighten

13. New Encounters with Les 'Desmoiselles d' Avignon: Gender, Race, and the Origins of Cubism: Anna C. Chave

14. Wilfredo Lam: Painter of Negritude: Robert Linsley

15. Sargent Johnson: Afro-Californian Modernist: Judith Wilson

16. Horace Pippin's Challenge to Art Criticism: Cornel West

17. In Search of the Inauthentic: Disturbing Signs in Contemporary Native American Art: Jean Fisher

18. Altars of Sacrifice: Re-membering Basquiat: bell hooks

IV. Race-ing Us: White, Beige, Brown, and Black in the Twentieth Century

19. International Abstraction in a National Context: Abstract Paintings in Korea, 1910- 1965: Jae- Ryung Roe

20. The Other Immigrant: The Experience and Achievements of Afro-Asian Artists: Rasheed Araeen

21. Reframing the Black Subject: Ideology and Fantasy in Contemporary South African Representation: Okwui Enwezor

22. Biraciality and Nationhood in Twentieth-Century American Art: Kymberly N. Pinder

List of Contributors

Permissions


Kymberly N. Pinder is Associate Professor of Art History at the School of the Art Institute of Chicago.



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