Ecologies of Resonance in Christian Musicking (A)

a
ISBN: 978-0-19-753410-6
Verlag: OXFORD UNIV PR

Buch, Englisch, 188 Seiten, Print PDF, Format (B × H): 161 mm x 240 mm, Gewicht: 446 g

Ecologies of Resonance in Christian Musicking^ Rexplores a diverse range of Christian musical activity through the conceptual lens of resonance, a concept rooted in the physical, vibrational, and sonic realm that carries with it an expansive ability to simultaneously describe personal, social, and spiritual realities. In this book, Mark Porter proposes that attention to patterns of back-and-forth interaction that exist in and alongside sonic activity can help to understand the dynamics of religious musicking in new ways and, at the same time, can provide a means for bringing diverse traditions into conversation. The book focuses on different questions arising out of human experience in the moment of worship. What happens if we take the entry point of a human being experiencing certain patterns of (more than) sonic interaction with the world around them as a focus for exploration? What different ecologies of interaction can be encountered? What kinds of patterns can be traced through different Christian worshiping environments? And how do these operate across multiple dimensions of experience? Chapters covering ascetic sounding, noisy congregations, and Internet live-streaming, among others, serve to highlight the diverse ecologies of resonance that surround Christian musicking, suggesting the potential to develop new perspectives on devotional musical activity that focus not primarily on compositions or theological ideals but on changing patterns of interaction across multiple dimensions between individuals, spaces, communities, and God.

Autoren/Hrsg.

Porter, Mark

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Geistliche Musik, Religiöse Musik
• Geisteswissenschaften Christentum, Christliche Theologie Praktische Theologie Christliche Spiritualität, Christliche Mystik
• Geisteswissenschaften Christentum, Christliche Theologie Praktische Theologie Liturgik, Christliche Anbetung, Sakramente, Rituale, Feiertage

Inhaltsverzeichnis

- Acknowledgments

- Introduction: Experiencing Multiple Traditions

- Chapter 1: Sounding Back and Forth

- Chapter 2: Singing, Resonance, and Ascetic Struggle

- Chapter 3: Resonance, Bach, and Noisy Congregations

- Chapter 4: Evangelicals, Authenticity, and Sacrament

- Chapter 5: Space, Multiplicity, De/Reconstructing Resonance

- Chapter 6: Prayer Room Live-Streaming and Transnational Resonant Assemblages

- Conclusion: Relational Ecologies and Rhizomatic Flight

- Bibliography

Über Autor(innen)

Mark Porter studied at University College, Oxford, and King's College, London, before completing his doctorate in ethnomusicology at City University, London, in 2014. Following this, in 2015, he took up a postdoctoral position at Max-Weber-Kolleg, Universität Erfurt. His first monograph, Contemporary Worship Music and Everyday Musical Lives, was published 2017 and he is co-founder and programme chair of the biennial Christian Congregational Music: Local and Global Perspectives conference. His writing has appeared in the Church Music Quarterly, Ecclesial Practices, Liturgy, the Journal of Contemporary Religion and the Journal of the American Academy of Religion, among others. Mark is also an active church musician who has served as worship leader, director of music, organist and choir leader for a variety of churches in the UK and in Germany.