Rask Knudsen | The Circle & the Spiral | Buch | 978-90-420-1048-2 | sack.de

Buch, Englisch, Band 68, 360 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 577 g

Reihe: Cross/Cultures

Rask Knudsen

The Circle & the Spiral

A Study of Australian Aboriginal and New Zealand Maori Literature

Buch, Englisch, Band 68, 360 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 577 g

Reihe: Cross/Cultures

ISBN: 978-90-420-1048-2
Verlag: Brill | Rodopi


In Aboriginal and Maori literature, the circle and the spiral are the symbolic metaphors for a never-ending journey of discovery and rediscovery. The journey itself, with its indigenous perspectives and sense of orientation, is the most significant act of cultural recuperation. The present study outlines the fields of indigenous writing in Australia and New Zealand in the crucial period between the mid-1980s and the early 1990s – particularly eventful years in which postcolonial theory attempted to ‘centre the margins’ and indigenous writers were keen to escape the particular centering offered in search of other positions more in tune with their creative sensibilities. Indigenous writing relinquished its narrative preference for social realism in favour of traversing old territory in new spiritual ways; roots converted into routes.
Standard postcolonial readings of indigenous texts often overwrite the ‘difference’ they seek to locate because critical orthodoxy predetermines what ‘difference’ can be. Critical evaluations still tend to eclipse the ontological grounds of Aboriginal and Maori traditions and specific ways of moving through and behaving in cultural landscapes and social contexts. Hence the corrective applied in Circles and Spirals – to look for locally and culturally specific tracks and traces that lead in other directions than those catalogued by postcolonial convention.
This agenda is pursued by means of searching enquiries into the historical, anthropological, political and cultural determinants of the present state of Aboriginal and Maori writing (principally fiction). Independent yet interrelated exemplary analyses of works by Keri Hulme and Patricia Grace and Mudrooroo and Sam Watson (Australia) provided the ‘thick description’ that illuminates the author’s central theses, with comparative side-glances at Witi Ihimaera, Heretaunga Pat Baker and Alan Duff (New Zealand) and Archie Weller and Sally Morgan (Australia).
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Acknowledgements
Prefaced: A Declaration of Intent at the Border of Contested Terrain
1 Beginnings: Circles and Spirals
2 Death of the Author – Rebirth of the Storyteller
3 Exile and Return – From the Landscapes of Unbelonging:
The Social Realism of the Aboriginal and the Maori Fringe
4 The Void as Creative Metaphor:
The Bone People by Keri Hulme
5 The Community as Protagonist:

Potiki by Patricia Grace
6 The Land as Text – The Text as Land:

Master of the Ghost Dreaming by Mudrooroo
7 Writing the Circle – The Politics of the Sacred Site:

The Kadaitcha Sung by Sam Watson
8 Endings – or Beginnings
Works Cited


Eva Rask Knudsen is an associate professor at the Colonial and Postcolonial Studies Centre of the English Department, University of Copenhagen. She holds an MA degree in English and a PhD in postcolonial studies completed at the Universities of Sydney and Copenhagen. She has published widely on indigenous culture and literature, her primary research interests, along with Fourth-World issues, literary iconographies, orality and writing, creolization and Caribbean literature, Oceania and its cultural spaces, contemporary postcolonial studies and critical theory.


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