Buch, Englisch, 144 Seiten, Format (B × H): 144 mm x 223 mm, Gewicht: 268 g
Reihe: Focus Animation
A Highly Biased Tour of Collage Animation
Buch, Englisch, 144 Seiten, Format (B × H): 144 mm x 223 mm, Gewicht: 268 g
Reihe: Focus Animation
ISBN: 978-1-03-210312-9
Verlag: Taylor & Francis Ltd
Collage has also pushed the boundaries of animation, by incorporating other artistic forms (e.g., photography, live action, experimental cinema, literature, found sound) while exploring an array of social, cultural and political issues.
In Earmarked for Collision, award-winning writer Chris Robinson (The Animation Pimp, Mad Eyed Misfits, Unsung Heroes of Animation) takes us on a tour of the history of collage animation, cataloguing the collage works of notable artists like Larry Jordan, Harry Smith, Stan Vanderbeek, Terry Gilliam, Janie Geiser, Martha Colburn, Lewis Klahr, Run Wrake, Lei Lei, Kelly Sears, Jodie Mack, and many, many others.
Zielgruppe
Professional Practice & Development
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Author Bio. 1 Breaking Stones with a Feather: Why Collage? 2 Umbrellas and Sewing Machines – A Brief Look at the History of Collage Art: Torn Formations. 3 Fist Fights, Alchemists, Magicians and Python: 1950s/1960s. 4 Hi-Fi Cadets Kidnapping a Jukebox of Frank Pearly Oysters: 1970/1980s. 5 Pending Elliptical Ghost Perverts: 1990s/2000s. 6 The Accidental Luxuriance of Recycled Utopian Erodium Pressure Pistols: 2010 and Beyond. 7 Are We All Just Collages?. Bibliography. Index.