Ros | Performing Stragismo and Counterspectacularisation | Buch | 978-1-032-97814-7 | www.sack.de

Buch, Englisch, 226 Seiten, Format (B × H): 156 mm x 234 mm

Ros

Performing Stragismo and Counterspectacularisation

Italian Right-Wing Terrorism and its Legacies
1. Auflage 2025
ISBN: 978-1-032-97814-7
Verlag: Taylor & Francis Ltd

Italian Right-Wing Terrorism and its Legacies

Buch, Englisch, 226 Seiten, Format (B × H): 156 mm x 234 mm

ISBN: 978-1-032-97814-7
Verlag: Taylor & Francis Ltd


Performing Stragismo and Counterspectacularisation offers a new theoretical lens on political violence as spectacle, drawing on performance theory to explore how acts of violence—particularly terrorism—are staged, circulated, and remembered. It interrogates the role of spectacularity in shaping public discourse, tracing how power and media mobilise violence into a visual and rhetorical regime that leaves deep imprints on collective memory.

In response, the book proposes counterspectacularisation: a repertoire of critical strategies developed by the public and by performance-makers to resist or reframe the spectacle of terror. Through a mix of theoretical reflection, close analysis of performance case studies, and four original artworks created by the author, the text explores how performance can respond ethically to silences and fractures in memory. It advocates for cross-disciplinary approaches that challenge dominant representations of violence, and that offer alternative frameworks for grappling with trauma, remembrance, and representation in an age of political spectacle.

This will be of particular value to researchers working on the afterlives of terrorism and state violence, especially within memory studies, media studies, and trauma theory. It will also speak to scholars in Italian studies, ethnography, and performance.

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Academic, Postgraduate, and Undergraduate Advanced


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Acknowledgements

Introduction

Part One

Chapter One

Introduction

The spectacular 1970s

The aesthetics of stragisti

The Italicus spectacle

Spectatorship, authorship, and discourse

The Bologna station spectacle

The set and the historical context

The media and authorship

Spectacularised trials

Representation

Conclusion

Chapter Two

Introduction

The influence of Nuovo Teatro

The state funerals and the Resistance narrative

The Italicus commemoration

The Bologna train station commemorative complex

Icons of memory

The audience

Silence

Counterpsectacularisation

Conclusion

Chapter Three

Introduction

“Da ferito a morte”

The two Antigones

Antigone delle Città

Le Antigoni della Terra

The legacy of the Antigones

From Cantiere 2 agosto to Un’altra vita

Cantiere 2 agosto

Sinfonia dei soccorsi

Un’altra vita

The relationship with the authorities

Conclusion

Part Two

Chapter Four

Introduction

Wider context

Methodology

Recruitment

Intersubjectivity and power dynamics

Research design

Findings

Conclusion

Chapter Five

Introduction

The process

Authenticity issue

Ethics and aesthetic of care

Unspoken scenes - representing the unsaid

Memory gaps

Devising counterspectacularisation

Reception

Conclusion

Conclusions

Bibliography


Irene Ros is a theatre and performance practitioner, SGSAH alumna, and independent researcher. Co-founder of Cut Moose, charity exploring inclusive storytelling through diverse artforms, she shares her research internationally through papers and screenings at conferences and symposia, and recently published Will Cinderella Fight Inequality? (IJPADM, 2025).



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