Buch, Englisch, 238 Seiten, Format (B × H): 254 mm x 179 mm, Gewicht: 710 g
Buch, Englisch, 238 Seiten, Format (B × H): 254 mm x 179 mm, Gewicht: 710 g
Reihe: Routledge History of Photography
ISBN: 978-1-138-49349-0
Verlag: Taylor & Francis Ltd
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Chapter One: The New Paradigm – Daniel Rubinstein; Part I: From Pictorial Practices to Algorithmic Capitalism, Chapter Two: Images Without Worlds – Claire Colebrook; Chapter Three: Undoing Imperial Modernity – Ariella Azoulay; Chapter Four: Between Topography and Topology – Susan Trangmar; Chapter Five: Creating London’s Image – Pat Naldi; Chapter Six: Drone Alliances – Sarah Tuck; Psrt II: The Image Between Representation and Automation, Chapter Seven: From Photographic Representation to the ‘Photographic Genotype’ – Yael Eylat Van Essen; Chapter Eight: Graven Images: Photography after Heidegger, Lyotard and Deleuze – Daniel Rubinstein; Chapter Nine: Refuse to Let the Syntaxes of (a) History Direct Our Futures – Rosa Menkman; Chapter Ten: Atoms and Worms (Ontologies of Fragments) – Jamie Brassett; Chapter Eleven: Photographic Futures – Armen Avanessian and Anke Hennig; Part III: The Materialism of Networked Intelligence, Chapter Twelve: Empathy and Gesture: Aby Warburg in La cappella Sassetti – Andrew Benjamin; Chapter Thirteen: Post-Photographic Frenzy – Joseph Nechvatal; Chapter Fourteen: The Defragmenting Image: Stories in Cinematic Time-Travel – John Ó Maoilearca; Chapter Fifteen: Introduction to Natural Language Processing – Anamarija Ami Podrebarac; Chapter Sixteen: The Photograph of Thought – Johnny Golding