Painting and Presence

Why Paintings Matter
Erscheinungsjahr 2022
ISBN: 978-0-19-285628-9
Verlag: Oxford University Press(UK)

Buch, Englisch, 256 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 552 g

This book is concerned with why (or whether) paintings have value: why they might be worth creating and attending to. The author starts from the challenge expressed in Plato's critique of the arts generally, according to which they do not lead us to what is true and good, and may take us away from them. Rudd tries to show that this Platonic Challenge can be answered in its own terms: that painting is good because it does lead us to truth. What paintings can give us is a non-discursive "knowledge by acquaintance" in which the essence of the painting's subject-matter is made present to the viewer. Rudd traces this understanding of painting as ontologically revelatory from the theology of the Byzantine Icon to classical Chinese appreciations of landscape painting, to the work of Merleau-Ponty and other Phenomenologists inspired by European Modernist art. He argues that this account of painting as disclosing the essences of things can also take up what is right about expressive and formalist theories of painting; and that it can apply as much to abstract as to representational painting. But to disclose the reality of things can only be of value if the reality disclosed is itself of value; and in the concluding part of the book, Rudd argues that the value of painting can only be properly understood in the context of a wider metaphysics or theology in which value is understood, not as a human projection, but as a basic characteristic of reality as such.

Autoren/Hrsg.

Rudd, Anthony

Fachgebiete

• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Religionswissenschaft Religionswissenschaft Allgemein Religionsphilosophie, Philosophische Theologie
• Geisteswissenschaften Philosophie Religionsphilosophie, Philosophische Theologie
• Geisteswissenschaften Kunst Kunstgeschichte

Inhaltsverzeichnis

- Preface and Acknowledgements

- Introduction

- Part One

- 1: Do Paintings Matter? The Platonic Challenge

- 2: Truth (and Goodness) in Painting

- Part Two

- 3: Painting and Presence

- 4: Painting as Revelation: the Icon as Paradigm

- 5: Making the Invisible Visible: Merleau-Ponty

- 6: Expression and Form

- Part Three

- 7: Metaphysical Implications: Essences, Concepts, Value

- 8: Natural Beauty

- 9: The Re-enchantment of the World

- 10: Painting, Beauty, and the Sacred

- Bibliography

Über Autor(innen)

Dr Anthony Rudd studied Philosophy as an undergraduate at Cambridge and took his PhD at the University of Bristol (1998). He was a Lecturer in Philosophy at the University of Hertfordshire, 1999-2001, and since 2001 has taught in the United States at St. Olaf College, Minnesota. He is the author of Kierkegaard and the Limits of the Ethical (1993); Expressing the World: Skepticism, Wittgenstein and Heidegger (2003); and Self, Value and Narrative: a Kierkegaardian Approach (2012).