The Cambridge History of Nineteenth-Century Music

Erscheinungsjahr 2001
ISBN: 978-0-521-59017-4
Verlag: Cambridge University Press

Buch, Englisch, 788 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 1347 g

Reihe: The Cambridge History of Music

This comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. It avoids mere repertory surveys, focusing instead on issues which illuminate the subject in novel and interesting ways. The book is divided into two parts (1800-1850 and 1850-1900), each of which approaches the major repertory of the period by way of essays investigating the intellectual and socio-political history of the time. The music itself - including popular repertories - is discussed in five central chapters within each part, amplified by essays on topics such as nationalism, genius, and the emergent concept of an avant garde. The book concludes with an examination of musical styles and languages around the turn of the century. The addition of a detailed chronology and extensive glossaries makes this the most informed reference book on nineteenth-century music currently available.

Autoren/Hrsg.

Samson, Jim

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Romantik (ca. 1830-1900)

Inhaltsverzeichnis

Chronology; Part I. 1800-1850: 1. The musical work and nineteenth-century history Jim Samson; 2. Music and the rise of aesthetics Andrew Bowie; 3. The profession of music John Rink; 4. The opera industry Roger Parker; 5. The construction of Beethoven K. M. Knittel; 6. Music and the poetic Julian Rushton; 7. The invention of tradition John Irving; 8. Choral music John Butt; 9. The consumption of music Derek Carew; 10. The great composer Jim Samson; Part II. 1850-1900: 11. Progress, modernity, and the concept of an avant-garde John Williamson; 12. Music and ideas Max Paddison; 13. The structures of musical life Katharine Ellis; 14. Opera and music drama Thomas Grey; 15. Beethoven reception: the symphonic tradition James Hepokoski; 16. Words and music in France and Germany Susan Youens; 17. Chamber music and piano Jonathan Dunsby; 18. Choral culture and the regeneration of the organ John Butt; 19. Music and social class Derek B. Scott; 20. Nations and nationalism Jim Samson; 21. Styles and languages Anthony Pople.

Über Autor(innen)

Samson, Jim
Jim Samson is Stanley Hugh Badock Professor of Music at the University of Bristol.