Buch, Englisch, 236 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 529 g
Buch, Englisch, 236 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 529 g
ISBN: 978-0-7546-6992-0
Verlag: Routledge
Concerned with the intermingled thematic and formal preoccupations of Romantic thought and literary practice in works by twentieth-century British, Irish, and American artists, this collection examines the complicated legacy of Romanticism in twentieth-century novels, poetry, and film. Even as key twentieth-century cultural movements have tried to subvert or debunk Romantic narratives of redemptive nature, individualism, perfectibility, and the transcendence of art, the forms and modes of feeling associated with the Romantic period continue to exert a signal influence on the modern moment - both as a source of tension and as creative stimulus. As the essays here show, the exact meaning of the Romantic bequest may be bitterly contested, but it has been difficult to leave behind. The contributors take up a wide range of authors, including Virginia Woolf, F. Scott Fitzgerald, W. H. Auden, Doris Lessing, Seamus Heaney, Hart Crane, William Faulkner, Don DeLillo, and Jonathan Franzen. What emerges from this lively volume is a fuller picture of the persistence and variety of the Romantic period's influence on the twentieth-century.
Autoren/Hrsg.
Weitere Infos & Material
Introduction The Persistence of Romantic Presences, Mark Sandy; Chapter 1 Leigh Hunt, Charles Lamb, and Virginia Woolf, Nicholas Roe; Chapter 2 ‘Strong Ghosts’: Romantic Presences in Yeats’s Poetry, Madeleine Callaghan; Chapter 3 Flexible Genealogies and Romantic Poetics, Lisa M. Steinman; Chapter 4 ‘Altered Forms’: Romanticism and the Poetry of Hart Crane, Michael O’Neill; Chapter 5 The Measured Chaos of Gary Snyder’s Post-Romantic Poetic Form, Paige Tovey; Chapter 6 Webs of Interlocution: Interaction with Others in Wordsworth and Auden, Heidi Thomson; Chapter 7 Seamus Heaney and Romanticism, Edward Larrissy; Chapter 8 Romantic Presences and the Latency of a Nascent Theory of Literature in Romantic Poetry, Michael Mack; Chapter 9 Romanticism’s Fragmentary Unities: Melville, Faulkner, and Lessing, Kathleen Wheeler; Chapter 10 ‘Fiery Part icle’: Keats’s Romantic Presences in the Writings of F. Scott Fitzgerald, Mark Sandy; Chapter 11 ‘Here then is a maze to begin, be in’: Michael Ondaatje’s Byronic Inheritance, Sarah Wootton; Chapter 12 The Ordinary: Wordsworth, Richard Ford and the Lie of Literature, Andrew Bennett; Chapter 13 ‘Putting the Mind Back into Nature’: The American Novel and the Science of Mind, Stephen J. Burn;
