Buch, Englisch, 372 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 724 g
Buch, Englisch, 372 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 724 g
ISBN: 978-0-631-21711-4
Verlag: John Wiley & Sons
This comprehensive collection of the major critical views of Chaucer's works over time engages students with the entire critical history.
- Introduces students to the critical discourse on Chaucer's works from a historical perspective.
- Encourages students to make links between past and present criticism.
- Foregrounds those modern approaches that are genuinely productive.
- Avoids a formulaic approach through lively editorial commentary and judicious selection of texts.
Autoren/Hrsg.
Weitere Infos & Material
Introduction.
Part I: The Development of Chaucer Criticism:.
Chaucer's Reading and Audience: Critical Extracts.
'The English and European Literary Traditions': Derek Brewer:.
Introduction.
Reading.
From 'Chaucer: The Teller and the Tale': Gabriel Joipovici:.
Introduction.
Reading.
From 'Audience': Paul Strohm:.
Introduction.
Reading.
PArt II: Dream Vision Poetry:.
Dream Vision Poetry: Critical Extracts.
'The Lady White and the White Tablet: The Book of the Duchess': Judith Ferster:.
Introduction.
Reading.
' "The Dido Episode," in The House of Fame': Wolfgang Clemen.
Introduction.
Reading.
'Chaucer's Fame and Her World: The Poem': Piero Boitani:.
Introduction.
Reading.
'Park of Paradise and Garden of Love': J. A. W. Bennett:.
Introduction.
Reading.
'The Parliament of Fowls': A. C. Spearing:.
Introduction.
Reading.
'The Narrator as Translator': Donald W. Rowe:.
Introduction.
Reading.
'Chaucer's Classical Legendary': Lisa J. Kiser:.
Introduction.
Reading.
Part III: Troilus and Criseyde:.
Troilus and Criseyde: Critical Extracts.
From 'The Ending of Troilus': E. Talbot Donaldson:.
Introduction.
Reading.
From 'The Heart and the Chain': John Leyerle:.
Introduction.
Reading.
From 'Criseyde: Woman in Medieval Society': David Aers:.
Introduction.
Reading.
'Coda: The Narrator': B David Benson:.
Introduction.
Reading.
'History versus Romance': Lee Patterson.
PArt IV: The Canterbury Tales:.
The Canterbury Tales: Critical Extracts.
From 'The Unity of the Canterbury Tales': Robert M. Jordan:.
Introduction.
Reading.
'The Esthetics of this Form': Donald R. Howard:.
Introduction.
Reading.
'An Encyclopedia of Kinds': Helen Cooper:.
Introduction.
Reading.
From ' The Night's Tale and Its Settings': V. A. Kolve:.
Introduction.
Reading.
'Fabliau, Confession, Satire': W. A. Davenport:.
Introduction.
Reading.
'Gems of Chastity': Ian Bishop:.
Introduction.
Reading.
From 'Antifeminism': Jill Mann:.
Introduction.
Reading.
From 'The Franklin's Tale': Angela Jane Weisl:.
Introduction.
Reading.
From 'Glose/Bele Chose: The Wife of Bath and Her Glossators' and 'Eunuch Hermeneutics': Carolyn Dinshaw:.
Introduction.
Reading.
Bibliography.




