Between Luxury and the Everyday

Decorative Arts in Eighteenth-Century France
1. Auflage 2005
ISBN: 978-1-4051-3168-1
Verlag: Wiley

Buch, Englisch, 208 Seiten, Format (B × H): 169 mm x 246 mm, Gewicht: 508 g

This collection brings together studies on the French decorative arts in the eighteenth century, extending from bookbinding, typography and engraving to those related specifically to the domestic interior: porcelain, upholstery and furniture.

- A collection of studies on the French decorative arts in the eighteenth century.

- Covers an extensive range of subjects from bookbinding, typography and engraving to porcelain, upholstery and furniture.

- Demonstrates how the advancement of knowledge in porcelain and loom technology resulted in new luxury goods to the glory of Absolutism.

- Looks at how Revolution demanded that political change be reflected in the details of everyday life, such as dress and furniture.

Autoren/Hrsg.

Scott, Katie

Cherry, Deborah

Inhaltsverzeichnis

1. Introduction: Image-Object-Space (Katie Scott).

2. Decorating Knowledge: The Ornamental Book, the Philosophic Image and the Naked Truth (Mary Sheriff).

3. The Encyclopédie and the Idea of the Decorative Arts (Elisabeth Lavezzi).

4. The Marriage of Art and Commerce: Philippe de Lasalle’s Success in Silk (Lesley Ellis Miller).

5. Regeneration Through the Everyday? Clothing, Architecture and Furniture in Revolutionary Paris (Leora Auslander).

6. Framing Ambition: The Interior Politics of Mme de Pompadour (Katie Scott).

7. Inside/Interiors: Chardin’s Images of the Family (René Démoris).

Notes on Contributors.

Index.

Über Autor(innen)

Katie Scott is Reader at the Courtauld Institute of Art, London.

Deborah Cherry teaches at University of the Arts, London and is editor of Art History.