Intersected Identities

Strategies of Visualisation in 19th and 20th Century Mexican Culture
1. Auflage 2007
ISBN: 978-1-84545-291-9
Verlag: Berghahn Books

Buch, Englisch, Band 5, 304 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 638 g

Reihe: Remapping Cultural History

There has always been an important visual element to the construction and questioning of national identity in post-Independence Mexico, though one that has not always been given its due, outside of the celebrated and much-studied muralists. Ranging from the early nineteenth century to the present – from the vogue for the picturesque, illustrated periodicals and the influential writings of Altamirano to a wealth of twentieth-century graphic artists, filmmakers and photographers – this book re-examines the complex variety of ways in which that visual element has operated. In particular, it looks at the ways in which discourses concerning ethnicity and cultural hybridity have been echoed and transformed in Mexican visual culture, resulting in fields of visual discourse which are eclectic and increasingly self-reflexive.

Autoren/Hrsg.

Segre, Erica

Fachgebiete

• Interdisziplinäres Wissenschaften Wissenschaften Interdisziplinär Wirtschafts- und Sozialwissenschaften

Inhaltsverzeichnis

List of Illustrations

Acknowledgements

Abbreviations

Introduction: A Tradition of Intersections? Interdisciplinary Slippages, Borrowings and Collaborations in Mexican Visual Culture

Chapter 1. The Development of Costumbrista: Iconography and Nation-building Strategies in Literary Periodicals of the Mid-Nineteenth Century

Chapter 2. An Italicised Ethnicity: Memory, Renascence and Visuality in the Literary Writings of Ignacio Manuel Altamirano

Chapter 3. Visualising Mexico: The Interplay of Graphic Arts and Film in the 1930s and 1940s

Chapter 4. Reframing the City: Images of Displacement in Urban Films and the Visual Arts of the 1940s and 1950s

Chapter 5. Allegory, Self-reflexivity and Irony: A Photographic Genealogy

Chapter 6. The Poetics of Skin: Surface and Inscription in Contemporary Photography

Chapter 7. The Hermeneutics of the Veil in Photography: Of Rebozos, Sábanas, Huipiles and Lienzos de Verónica

Chapter 8. Relics and Disjecta in Modernism and Post-Modernism: A Comparative Study of Archaeology in Contemporary Photography and Multimedia Art

Bibliography

Index

Über Autor(innen)

Segre, Erica
Erica Segre has published and lectured extensively on Mexican visual culture and is Newton Trust Lecturer in Hispanic Studies in the Department of Spanish and Portuguese, University of Cambridge, Fellow of Trinity College and Affiliated Lecturer at the Centre of Latin American Studies.