American Horror Fiction and Class

From Poe to Twilight
1. Auflage 2017
ISBN: 978-1-137-53279-4
Verlag: Palgrave Macmillan UK

Buch, Englisch, 201 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 3796 g

Reihe: Palgrave Gothic

In this book, Simmons argues that class, as much as race and gender, played a significant role in the development of Gothic and Horror fiction in a national context. From the classic texts of Edgar Allen Poe and Nathaniel Hawthorne right through to contemporary examples, such as the novels of Stephen King and Stephenie Meyer’s Twilight Series, class remains an ever present though understudied element. This study will appeal to scholars of American Studies, English literature, Media and Cultural Studies interested in class representations in the horror genre from the nineteenth century to the present day.

Zielgruppe

Research

Autoren/Hrsg.

Simmons, David

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Prosa, Erzählung, Roman, Prosaautoren
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Populärkultur
• Geisteswissenschaften Literaturwissenschaft Englische Literatur Amerikanische Literatur

Inhaltsverzeichnis

1. Introduction: Establishing the Place of Class in US Gothic and Horror Fiction.- 2. Class and Horror Fiction during the Early Twentieth Century.- 3. Class and Horror Fiction at Mid-Century.- 4. Representing Class during the Horror Boom of the 1970s and 1980s.- 5. Horror Fiction and Class in the Contemporary1. Introduction: Establishing the Place of Class in US Gothic and Horror Fiction.- 2. Class and Horror Fiction during the Early Twentieth Century.- 3. Class and Horror Fiction at Mid-Century.- 4. Representing Class during the Horror Boom of the 1970s and 1980s.- 5. Horror Fiction and Class in the Contemporary Period. Period.

Über Autor(innen)

David Simmons is Senior Lecturer in English and Screen Studies at The University of Northampton, UK. He has published extensively in the field of American literature and culture, including books on the representation of the Anti-Hero during the 1960s, H.P. Lovecraft, and Twentieth Century Canonical fiction.