Hauntology: An Introduction for Criminologists

1. Auflage 2025
ISBN: 978-1-032-57743-2
Verlag: Taylor & Francis Ltd

Buch, Englisch, 214 Seiten, Format (B × H): 156 mm x 234 mm

Reihe: Routledge Studies in Crime, Culture and Media

In response to the recent ‘spectral turn’ within criminology this book presents, for the first time, a concise, comprehensive, approachable, and critically engaged guide to hauntology for criminological researchers and graduate students.

Hauntology is, in essence, a mode of analysing the repressions, absences and lacks that shape our social world. The book outlines how criminological researchers may welcome hauntings into their work, to escape the ontological tethers of criminological realism and to reveal the importance of absence in their work. Specifically, the book is structured around key criminological themes, from prisons to the environment, and examines how the lens of ‘haunting’ helps unlock new critical enquiry by revealing the voices that are all too often buried. In doing so, it presents an examination of how hauntological concepts can be ‘read’ criminologically as well as addressing how they can be used to expand criminological imagination.

Throughout the book, we use hauntology to amplify the significance of justice within criminology as an intellectual and ethical endeavour. We argue that a spectral attitude bolsters our ability to ‘do justice’ to our research, our questions, our participants, our subjects, our objects, and what counts as criminological knowledge.

The book is guided by the following objectives:

• To introduce the importance of hauntology for encountering the spectres repressed within criminological knowledge and research.

• To outline the key concepts of hauntology to offer new critical insight into their application across the field of criminology.

• To examine the multiple ways hauntology stretches the ontological and epistemological foundations of criminological research.

• To produce an approachable, comprehensive and theoretically driven compendium that both motivates and guides current and future research across all areas of criminology.

Hauntology: An Introduction for Criminologists is a guide for criminologists that is designed to, for the first time, help direct future hauntological research and enhanced learning capacity across the discipline of criminology.

Zielgruppe

Academic, Postgraduate, and Undergraduate Advanced

Autoren/Hrsg.

Simpson, Alex

McGuinness, Paul

Fiddler, Michael

Fredriksson, Tea

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Kriminalsoziologie
• Rechtswissenschaften Strafrecht Kriminologie, Strafverfolgung

Inhaltsverzeichnis

Introduction: A Spectral Attitude 1. Criminology’s Colonial Question: A hauntology 2. Speaking of, to and with Ghosts of the Future 3. Disappearance on Display: Prison and The Sociocultural Imaginary 4. The Phantom of Speculative Imaginaries: Media representation of crime 5. Cities and the Excavation of Futures Past 6. Hauntology and Ecological Harms 7. Criminological Ghost Trains of Thought 8. Conclusion: Our Spectralizing Desire for a Justice-to-Come

Über Autor(innen)

Paul McGuinness is a lecturer in Criminology and Sociology at the University of Sussex. His work seeks to combine Criminology, Hauntology and Arts-based Research, and takes inspiration from the study of, separately, cinema and cybernetics.

Alex Simpson is an Associate Professor in Criminology at Macquarie University, Sydney. His work stretches across sociology, geography and organisation studies, focusing on the cultural production of elite urban environments. He has written ethnographies on the financial services industry in the City of London and uses theories of atmosphere and affect to examine the spatial relations of gender, power and exclusion.

Tea Fredriksson is a Senior Lecturer at Stockholm University’s Department of Criminology. Her primary research interest is in spaces and processes that construct social belonging and otherness. Focusing on prisons, desistance journeys, and cultural depictions of harm, she uses intersectional and hauntological frameworks to explore how society talks to and about itself through imag(inari)es of crime and punishment.

Michael Fiddler is an Associate Professor of Criminology at the University of Greenwich, London. His published research explores the ways in which space, architecture and visual arts coalesce to inform our understanding of crime and punishment.