Buch, Englisch, 336 Seiten, Format (B × H): 145 mm x 222 mm, Gewicht: 606 g
A Performance History
Buch, Englisch, 336 Seiten, Format (B × H): 145 mm x 222 mm, Gewicht: 606 g
ISBN: 978-0-19-873676-9
Verlag: OUP Oxford
Alongside the works of the better-known classical Greek dramatists, the tragedies of Lucius Annaeus Seneca have exerted a profound influence over the dramaturgical development of European theatre. The Senecan Aesthetic surveys the multifarious ways in which Senecan tragedy has been staged, from the Renaissance up to the present day: plundered for neo-Latin declamation and seeping into the blood-soaked revenge tragedies of Shakespeare's contemporaries, seasoned with French neoclassical rigour, and inflated by Restoration flamboyance. In the mid-eighteenth century, the pincer movement of naturalism and philhellenism began to squeeze Seneca off the stage until August Wilhelm Schlegel's shrill denunciation silenced what he called its 'frigid bombast'. The Senecan aesthetic, repressed but still present, staged its return in the twentieth century in the work of Antonin Artaud, who regarded Seneca as 'the greatest tragedian of history'. This volume restores Seneca to a canonical position among the playwrights of antiquity, recognizing him as one of the most important, most revered, and most reviled, and in doing so reveals how theory, practice, and scholarship have always been interdependent and inseparable.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Englische Literatur
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft
- Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Geschichte der klassischen Antike
- Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker
- Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst
Weitere Infos & Material
- Acknowledgements
- List of Figures
- Editions and Citations
- Introduction
- i. Senecan, Performance, Reception
- ii. What's Senecan About Seneca?
- 1. The Open Book
- i. In Defence of Student Theatre
- ii. Neo-Latin Performance Practice
- iii. Progne
- iv. Theatre in Education
- 2. 'Excess is her Disease'
- i. Translating the Tenne Tragedies
- ii. English(ed) Seneca
- iii. Jacobean Variations
- 3. Nourished on Blood
- i. Enter the Diva
- ii. The Art of Tragedy
- iii. Réalisme Sénéquien
- iv. Translation and Adaptation
- v. The Merveilleux
- 4. The Great Repression
- i. Tragedy Regulated
- ii. Phaedra/Phèdre
- 5. Hypertragedy
- i. Neronian gambols
- ii. Horror Plays of the Exclusion Crisis
- 6. Seneca Censored
- i. The Long Eighteenth Century
- ii. A Backdrop to Schlegel
- iii. Colossal, Misshapen Marionettes
- 7. Signalling Through the Flames
- i. Shelley's Cenci
- ii. Artaud's Cenci
- 8. Seneca in '68
- i. Deeper into Language
- ii. The Fetters of the Eyes
- Conclusion
- Bibliography
- Index
