Shakespeare Survey 79

Late Shakespeare
Erscheinungsjahr 2026
ISBN: 978-1-009-87684-1
Verlag: Cambridge University Press & Assessment

Buch, Englisch, Band 79, 370 Seiten

Reihe: Shakespeare Survey

Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 79 is 'Late Shakespeare'. The complete set of Survey volumes is also available online as part of Cambridge Shakespeare: www.cambridge.org/core/publications/collections/cambridge-shakespeare.

Autoren/Hrsg.

Smith, Emma

Inhaltsverzeichnis

1. Reformation memory-work in late Shakespeare Raphael Lyne; 2. Shakespeare's late plays: the last rites of chivalry Paul Dean; 3. Inflexions of lateness in Pericles Catherine Lisak; 4. Time's queer 'recoil' in The Winter's Tale Alice Wickenden; 5. Shakespeare's bohemia and Oyeyemi's Druhástrana: Gingerbread's appropriations of The Winter's Tale Lindsay Ann Reid; 6. Held in silence: trauma and the ethics of response in Shakespeare's The Winter's Tale and Ali Smith's Summer Michela Compagnoni; 7. 'Baseless Fabric': Prospero's other spirits Hassana Moosa; 8. The figurative platea: foolish-wise subplotters in The Tempest Georgia Fulton; 9. 'O world, thy slippery turns!': An epicurean Coriolanus' Hannah Smith-Drelich; 10. If biscuits be the food of love: Huntley & Palmers's Twelfth Night in little Anne-Valérie Dulac; 11. Second thoughts about Othello Hugh Quarshie; 12. Slow-motion rhetoric in Titus Andronicus Pascale Aebischer and Emily Louisa Smith; 13. Sensory Shakespeare: performance pedagogies and special education Lynsey McCulloch and Matthew Collins; 14. #Shaxrace: teaching Shakespeare and race through performance Sarah Dustagheer; 15. Eco-Shakespeare, race and pedagogy: 'invasive species' Wendy Lennon; 16. Imitation as a teaching technique in The Taming of the Shrew and Erasmus's Colloquies' Ceri Sullivan; 17. Knowing the minds of others: Hamlet and neurodiversity Emily Rose Nicholls and Bradley J. Irish; 18. Freetown Elizabeth Mazzola; 19. Sexual shame, reputation and early modern community practices: Measure for Measure Lisa Walters; 20. Shakespeare's Ark: The 1632 Folio John Jowett and Mariko Nagase; 21. 'I am set Naked on Your Kingdom': Hamlet, The Spanish Tragedy and Arden of Faversham' Jeremy Tambling; 22. 'When I read Shakespeare I become greater': Flaubert's Shakespeare John H. Cameron; 23. Of tempests: Shakespeare, Césaire and the choc en retour Ioanna Chatzidimitriou; 24. Hamlet, the opera Karen Newman; 25. Avignon Shakespeare: inheriting the bard in contemporary France Florence March; 26. Shakespeare performances in England: London productions, 2025 Hester Lees-Jeffries; 27. Shakespeare performances in England: productions outside London, 2025 Sally Barnden; The Year's Contribution to Shakespeare Studies: 1. Critical studies reviewed by Hanh Bui; 2. Editions and textual studies reviewed by Brandi K. Adams; 3. Shakespeare in performance, 2024–2025 reviewed by Miranda Fay Thomas; Abstracts of articles in Shakespeare Survey 79.

Über Autor(innen)

Smith, Emma
Emma Smith is Professor of Shakespeare Studies at Hertford College, Oxford. Her work focuses on the reception of Shakespeare in print, performance and criticism, and she has written for students, enthusiasts, theatregoers and scholars. She has co-edited The Cambridge Companion to English Renaissance Tragedy (Cambridge, 2010), Marlowe in Context (Cambridge, 2013) and The Cambridge Companion to Shakespeare's First Folio (Cambridge, 2016). For undergraduate readers, she wrote The Cambridge Introduction to Shakespeare (Cambridge, 2007) and The Cambridge Shakespeare Guide (Cambridge, 2012). Her work on the First Folio includes The Making of the First Folio (Bodleian Library, 2016) and Shakespeare's First Folio: Four Centuries of an Iconic Book (Oxford, 2016). This Is Shakespeare (Penguin, 2019) and Portable Magic: A History of Books and Their Readers (Penguin, 2022) address a wide readership. She is an associate scholar with the Royal Shakespeare Company and a regular speaker in schools, literary festivals, theatres, libraries and book groups, as well as in universities. She has contributed to radio and TV programmes and written extensively for newspapers and magazines, including the New York Times, the Telegraph, the Observer and the Guardian.