Re-Dressing the Canon

Essays on Theatre and Gender
1. Auflage 1997
ISBN: 978-0-415-15721-6
Verlag: Routledge

Buch, Englisch, 224 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 322 g

Re-Dressing the Canon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis. Alisa Solomon discusses both canonical texts and contemporary productions in a lively jargon-free style. Among the dramatic texts considered are those of Aristophanes, Ibsen, Yiddish theatre, Mabou Mines, Deborah Warner, Shakespeare, Brecht, Split Britches, Ridiculous Theatre, and Tony Kushner.
Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores:

* the 'double disguise' of cross-dressed boy-actresses
* how gender relates to genre (particularly in Ibsens' realism)
* how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity.

Zielgruppe

Postgraduate

Autoren/Hrsg.

Solomon, Alisa

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatertheorie, Ästhetik des Theaters, Theaterkritik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatersoziologie, Theaterpsychologie
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie

Inhaltsverzeichnis

Introduction; Chapter 1 Much Virtue in if; Chapter 2 The New Drama and the New Woman; Chapter 3 Materialist Girl; Chapter 4 Queering the Canon; Chapter 5 Three Canonical Crossings; Chapter 6 Epilogue;

Über Autor(innen)

Alisa Soloman is a theatre ciritic, teacher and dramaturg in New York City. She is Associate Professor of English and Theatre at CUNY and a staff writer at the Village Voice.