Still Beating the Drum | Buch | 978-90-420-1807-5 | sack.de

Buch, Englisch, Band 81, 375 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 826 g

Reihe: Cross/Cultures

Still Beating the Drum

Critical Perspectives on Lewis Nkosi

Buch, Englisch, Band 81, 375 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 826 g

Reihe: Cross/Cultures

ISBN: 978-90-420-1807-5
Verlag: Editions Rodopi


Lewis Nkosi is one of South Africa’s foremost writers and critics, and one of the few survivors of the exile generation dating from the Drum era. Up until now, however, no full length study has been done on his work. This is a gap in South African literary history and criticism that this book is intended to fill. Besides his well known earlier works, Nkosi is still very much an active writer as the publication in 2002 of his novel, Underground People, shows, with his latest novel due out in 2005. The timing of Still Beating the Drum, a book which intends to highlight and evaluate his extensive and varied oeuvre, is thus appropriate. Given Lewis Nkosi’s life trajectory, this volume will appeal to readers interested in South African and African literature, both in South Africa and abroad. Intended as a important critical resource on Lewis Nkosi, the book is divided into three parts: Part One collects papers from scholars around the world currently working on Nkosi’s work in various genres; Part Two reprints key articles from different moments in Nkosi’s critical writing, together with hitherto unpublished recent interviews with Nkosi; and Part Three provides the reader with a timeline and extensive bibliography for Lewis Nkosi, both invaluable resources for scholars working on Nkosi given the scattered nature of much of his more ephemeral writings in the past. Lewis Nkosi is an important figure in South African literature whose voice has been heard far and wide – this book aims to collect for critical consideration some of the echoes and reverberations his voice has generated.
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Acknowledgements
Illustrations
Preface
Liz GUNNER and Lindy STIEBEL: Introduction: Lewis Nkosi – Inscriptions
PART ONE: WRITING ON LEWIS NKOSI
THE LITERARY CRITIC
Annie GAGIANO: Lewis Nkosi as Literary Critic
Chris WANJALA: Lewis Nkosi’s Early Literary Criticism
Oyekan OWOMOYELA: Lewis Nkosi: A Commentary Piece
THE DRAMATIST AND POET
Liz GUNNER: Contaminations: BBC Radio and the Black Artist – Lewis Nkosi’s “The Trial” and “We Can’t All be Martin Luther King”
Sikhumbuzo MNGADI: Hostage Drama: The Rhythm of Violence and Some Comments on “The Black Psychiatrist”
Astrid STARCK-ADLER: Psycholoanalysis and Apartheid: The Image and Role of the Psychiatrist in Selected Works of Lewis Nkosi
Therese STEFFEN: The Desire of Knowledge, or, the Body in Excess: Lewis Nkosi’s Play “The Black Psychiatrist”
Litzi LOMBARDOZZI: An Introduction to the Poetry of Lewis Nkosi
THE NOVELIST
Lucy GRAHAM: “Bathing Area – For Whites Only”: Reading Prohibitive Signs and ‘Black Peril’ in Lewis Nkosi’s Mating Birds
Lindy STIEBEL: The Return of the Native: Lewis Nkosi’s Mating Birds Revisited in Post-Apartheid Durban
Companion Piece: South African Censors’ Report on Mating Birds
Andries OLIPHANT: Mammon and God: Reality, Imagination and Irony in Underground People
Raffaella VANCINI: Beyond the Literature of Protest: Lewis Nkosi’s Underground People
PART TWO: LEWIS NKOSI IN HIS OWN VOICE
INTERVIEWS
14.1 Interview with Lewis Nkosi
25 October 2002, Durban, South Africa
conducted by ZOË MOLVER, filmed by DAVID BASCKIN
14.2 Nuruddin Farah and Lewis Nkosi in conversation with ACHILLE MBEMBE at the Time of The Writer Festival, Elizabeth Sneddon Theatre in Durban, South Africa on 15 March 2003 Creative Arts, University of KwaZulu–Natal
A RETROSPECTIVE SELECTION
15.1 Fiction by Black South Africans
15.2 Alex La Guma: The Man and His Work
15.3 Negritude: New and Old Perspectives
15.4 White Writing
15.5 Bloke Modisane: Blame Me On History
15.6 The Republic of Letters After the Mandela Republic
PART THREE: SOURCES FOR LEWIS NKOSI
16 Bibliography
17 Timeline
Notes on Contributors
Index


Lindy Stiebel is Professor of English at the University of KwaZulu-Natal, Durban. She is the author of Imagining Africa: landscape in the African romances of H.Rider Haggard (Greenwood, 2001) and Thomas Baines and the ‘Great Map’ (Campbell Collections, 2001).

Liz Gunner is Acting Director of the Centre for African Literary Studies, University of KwaZulu-Natal, Pietermaritzburg. She is co-editor of Text, Theory, Space: land, literature and history in South Africa and Australia (Routledge 1996); and she has edited and translated the writings of Isaiah Shembe in Man of Heaven and the Beautiful Ones of God: Isaiah Shembe and the Nazareth Church (University of KwaZulu-Natal Press 2004).


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