Strachey | Eminent Victorians | Buch | 978-2-322-53494-4 | www.sack.de

Buch, Englisch, 78 Seiten, Paperback, Format (B × H): 148 mm x 210 mm, Gewicht: 126 g

Strachey

Eminent Victorians

The Book That Redefined Biography - Iconoclastic Portraits of Victorian Heroes and Hypocrites
1. Auflage 2025
ISBN: 978-2-322-53494-4
Verlag: BoD - Books on Demand

The Book That Redefined Biography - Iconoclastic Portraits of Victorian Heroes and Hypocrites

Buch, Englisch, 78 Seiten, Paperback, Format (B × H): 148 mm x 210 mm, Gewicht: 126 g

ISBN: 978-2-322-53494-4
Verlag: BoD - Books on Demand


«Eminent Victorians» by Lytton Strachey shattered conventions when published in 1918, launching a new era of iconoclastic history with its irreverent portraits of four Victorian icons: Cardinal Manning, Florence Nightingale, Dr. Thomas Arnold, and General Gordon. Strachey, a leading light of the Bloomsbury Group, wielded satire and psychological insight to expose the contradictions beneath their saintly reputations, forever changing how biography was written.

The work opens with Manning's ecclesiastical power struggles, revealing how ambition masked as piety shaped the Oxford Movement. Nightingale emerges as both heroic reformer and tyrannical perfectionist her wartime achievements juxtaposed with personal ruthlessness. Strachey's take on Arnold dismantles the myth of the benign educator, showing how his Rugby School reforms bred militaristic conformity. The final portrait of Gordon, the doomed imperialist in Khartoum, becomes a searing indictment of British hubris.

More than just Victorian biographies, these essays dissect an entire age's moral pretensions. Strachey's razor-sharp prose mocking Arnold's "neat little sermons" or Gordon's messianic delusions pioneered literary modernism in historical writing. His archival rigor (digging through diaries and letters) pairs with wicked humor to humanize legends, making this essential reading for understanding how Edwardians rejected Victorian certainties after World War I's trauma.

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Strachey, Giles Lytton
Giles Lytton Strachey (1880.1932) was the incendiary biographer who pioneered revisionist biography with Eminent Victorians. Born into London's intellectual elite (his father oversaw the Dictionary of National Biography), he joined the Bloomsbury Group alongside Virginia Woolf, developing a style that blended Freudian psychology with epigrammatic wit.

Educated at Trinity College, Cambridge, Strachey initially wrote forgettable poetry before finding his voice in dismantling Victorian pieties. His 1918 masterpiece begun as "Victorian Silhouettes" applied Edwardian satire to sacred cows, using meticulous research to undermine their mythologies. Later works like Queen Victoria (1921) tempered irony with sympathy, but Eminent Victorians remains his seismic achievement, influencing everyone from Edmund Wilson to modern New Journalists.

A pacifist and homosexual in repressive times, Strachey channeled personal rebellion into his writing. His legacy lies in proving that British cultural history could be both scholarly and subversive a lesson that reshaped nonfiction forever.

Giles Lytton Strachey:
Giles Lytton Strachey (1880.1932) was the incendiary biographer who pioneered revisionist biography with Eminent Victorians. Born into London's intellectual elite (his father oversaw the Dictionary of National Biography), he joined the Bloomsbury Group alongside Virginia Woolf, developing a style that blended Freudian psychology with epigrammatic wit.

Educated at Trinity College, Cambridge, Strachey initially wrote forgettable poetry before finding his voice in dismantling Victorian pieties. His 1918 masterpiece begun as "Victorian Silhouettes" applied Edwardian satire to sacred cows, using meticulous research to undermine their mythologies. Later works like Queen Victoria (1921) tempered irony with sympathy, but Eminent Victorians remains his seismic achievement, influencing everyone from Edmund Wilson to modern New Journalists.

A pacifist and homosexual in repressive times, Strachey channeled personal rebellion into his writing. His legacy lies in proving that British cultural history could be both scholarly and subversive a lesson that reshaped nonfiction forever.



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